by Mary Jane Auch & illustrated by Mary Jane Auch & Herm Auch ‧ RELEASE DATE: April 15, 2005
Another eggceptional addition to the oeuvre of this feather-brained duo unfolds as in the traditional tale: Mom dies (fox in chicken coop), stepmother moves in with two daughters (Ovumelda and Cholestera), father sent away (“wild goose chase”), Chickerella’s life goes downhill. Chickerella wants desperately to attend the Fowl Ball. Not to nab a husband, but to see all the fabulous gowns (sewing is her specialty). The Fairy Goosemother saves the day, but midnight has Chickerella fleeing, leaving behind a glass egg that just could not be kept inside (blame it on the magic water). Reunited, the Prince and Chickerella find that they both attended the ball only for the gowns and decide to start their own fashion business. No wedding, but still a happily ever after. Wordplay and visual details will have adult readers laughing aloud, from the “Chickenstock” sandals to the “eggstravaganza” of a fashion show in “New Yolks.” Most amazing is the artwork. A note explains that Mary Jane made posable chicken mannequins, also creating all their clothes and accessories. Herm took photos of all the set objects, scaling them by using a computer. The result is a cast of 3-D characters reminiscent of Jim Henson’s “Dark Crystal.” In a market stuffed with fairytale remakes, this one is a must-have for collections. (Picture book. 3-10)
Pub Date: April 15, 2005
ISBN: 0-8234-1804-9
Page Count: 32
Publisher: Holiday House
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2005
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by Mary Jane Auch ; illustrated by Mary Jane Auch ; Herm Auch
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by Mary Jane Auch and Herm Auch & illustrated by Mary Jane Auch and Herm Auch
by Erin Guendelsberger ; illustrated by Stila Lim ‧ RELEASE DATE: Feb. 1, 2022
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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by Erin Guendelsberger ; illustrated by Suzie Mason
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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by Suzanne Lang ; illustrated by Max Lang
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by Suzanne Lang ; illustrated by Max Lang
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