by Mary Jane Clark ‧ RELEASE DATE: Jan. 8, 2013
The behavior of both the killer and the hapless Levi, who falsely confesses to the murder but leaves behind a cryptic clue...
Actress/baker Piper Donovan (The Look of Love, 2012, etc.) travels to Sarasota for another homicide-laced wedding at the best beach in America.
Piper has been chosen as maid of honor by her cousin Kathy Leeds, who’s marrying Dan Clemens of the Mote Marine Lab. But it’s impossible for the bridal couple to hold center stage when they’re competing with so many corpses. The first victim is Shelley Hart, Kathy’s colleague at the Whispering Sands Inn, whose murderer buries her in the sand and tells Levi Fisher, an Amish teen who caught him in the act, that he’ll kill Levi’s sister Miriam if he doesn’t keep mum. The second is Levi, who hangs himself and leaves behind a suicide note confessing to the murder rather than condemning Miriam to unending threats. He’s followed the same night by Jo-Jo Williams, an observant cocktail waitress whose brief stint as a blackmailer comes to a predictably swift end. The police assume that Levi is the killer, both before and after his death. But Clark duly implicates Dan’s best man, Brad O’Hara, a kayak concessionaire with a troubled past; Levi’s uncle Isaac Goode, the Whispering Sands wedding planner who’s been shunned by the Amish ever since renouncing his faith; and developer Walter Engel, whose bare-knuckled tactics for expanding the Whispering Sands strike some homeowners as uncomfortably menacing.
The behavior of both the killer and the hapless Levi, who falsely confesses to the murder but leaves behind a cryptic clue to the real miscreant, defy belief, but fans of Clark’s more famous ex-mother-in-law will be pleased to see that the line distinguishing the two has virtually disappeared.Pub Date: Jan. 8, 2013
ISBN: 978-0-06-213544-5
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 3, 2012
Kirkus Reviews Issue: Nov. 15, 2012
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Nora Roberts ‧ RELEASE DATE: Sept. 1, 2003
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...
Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.
Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.Pub Date: Sept. 1, 2003
ISBN: 0-399-15106-0
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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