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NOWHERE TO RUN

No detection—the vital clues all come flocking unbidden to Annabelle in the nick of time—but the dexterity in keeping so...

A killer armed with a vial of anthrax and the will to use it stalks the corridors of the New York Broadcast Center of homicide-prone KEY News (Nobody Knows, 2002, etc.).

If the premise trades on terrorist-inspired paranoia, imagine how it feels to KEY News medical producer Annabelle Murphy, already nursing her firefighter husband Mike through the Post-Traumatic Stress Disorder that’s laid him low ever since 9/11, when she sees her wayward charge, self-aggrandizing KEY News medical correspondent Dr. John Lee, brandishing a test tube full of white powder on the morning news—her morning news—and hear him claim it’s anthrax he’s gotten in an unspecified way anybody could imitate. The police naturally descend and the switchboards go berserk. By the time Dr. Lee’s white powder turns out to be confectioner’s sugar, Annabelle’s old flame, book-news producer Jerome Henning, is already dead of anthrax, along with Clara Romanski, his inoffensive cleaning woman. The vituperative tell-all that Jerome had been penning casts clouds of suspicion on all the Key to America newsroom coworkers whose peccadilloes he was about to expose. Executive producer Linus Nazareth never acknowledged Jerome as ghostwriter of his own upbeat tome. Entertainment editor Russ Parrish had let Jerome hook him on coke. Randy business correspondent Gavin Winston likes his dates young, fresh, and vulnerable. Ambitious lifestyle correspondent Lauren Adams doesn’t mind sleeping her way to the top. As Clark ladles out the suspicion, the killer, seen far too often in strenuously unrevealing close-up, moves on to a third victim en route to a fourth—Annabelle herself, who’ll be attacked while the building is under a long-portended police lockdown.

No detection—the vital clues all come flocking unbidden to Annabelle in the nick of time—but the dexterity in keeping so many guilty-looking characters afloat at once and the revelation of a truly surprising killer make Clark’s sixth dispatch from KEY News her best.

Pub Date: Aug. 11, 2003

ISBN: 0-312-28877-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2003

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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