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THE DEEP, DEEP PUDDLE

Kids will be happy to dive right in, whether it’s shared in a lap or as part of a group.

Looking for a counting book that makes a splash?

When an impossibly deep puddle forms in the middle of a busy city street, a shaggy dog falls in and sinks to its mysterious depths. Then two stray cats wander too close and fall in too. Three squirrels, four pigeons and five children follow suit, and then six tourists, seven taxis, eight street vendors and nine robbers! Luckily, 10 police officers appear, bringing 11 tanker trucks and 12 workers with hoses that suck up all the water. The count then reverses, with 12 workers packing up the 11 trucks, 10 police officers arresting the robbers and so forth. Finally, the shaggy dog emerges, shaking the water off his coat and starting a brand new puddle in the process. This otherwise ordinary counting story distinguishes itself with a bit of plot and a rich, precise vocabulary, making it appropriate for a wide range of ages. Soft watercolor illustrations with lots of blues and yellows depict the chaos in exacting detail. Children will enjoy poring over these illustrations, especially the one in which all of the people, animals and objects sink into the puddle. Many beguiling details, such as a cat pinching its nose and a robber grabbing for dollar bills, are there for the spotting.

Kids will be happy to dive right in, whether it’s shared in a lap or as part of a group. (Picture book. 3-8)

Pub Date: April 18, 2013

ISBN: 978-0-8037-3765-5

Page Count: 40

Publisher: Dial Books

Review Posted Online: Feb. 26, 2013

Kirkus Reviews Issue: March 15, 2013

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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CHICKA CHICKA TRICKA TREAT

From the Chicka Chicka Book series

A bit predictable but pleasantly illustrated.

Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.

Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”

A bit predictable but pleasantly illustrated. (Picture book. 3-7)

Pub Date: July 15, 2025

ISBN: 9781665954785

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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