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ONCE A REBEL

Though suspense and adventure drive this story forward, the love at its center sets it apart.

Two childhood friends find each other again by the dawn’s early light.

Callista Brooke and Lord George Gordon Audley were once the best of friends; when they were 16, they even ran away together to save Callie from having to marry a man her abusive father had promised her to. They were soon discovered by their fathers and banished to separate corners of the British Empire. Fifteen years later, their lives collide again in Washington, D.C., at the heart of the War of 1812. Callie, now widowed, has made a life for herself as a dressmaker when her house is invaded by British soldiers. Gordon, now a spy, has been hired to rescue an English-born widow living in America—who turns out to be Callie, as he discovers when he arrives in the nick of time. After years apart, their first priority is getting Callie and her family safe, and quickly. After they find relative safety in Baltimore, the second priority becomes untangling their complicated feelings for each other; though their first adventure together was motivated by pure friendship, their second one may end in a love match. Putney’s commitment to historical research shines throughout the book, especially in nice touches like Callie’s lawyer being Francis Scott Key, author-to-be of the national anthem. Her attempt to accurately portray the racial tensions of the era is admirable, if simplistic at times. The second entry in Putney’s (Weddings of the Century, 2017, etc.)Rogues Redeemed series is unusually lengthy, but it means that Callie and Gordon’s happy ending, after surviving a war and a voyage home to England, is all the more satisfying. Putney’s continued foray into the new setting of the United States in the early 19th century is a welcome addition to the historical romance shelf.

Though suspense and adventure drive this story forward, the love at its center sets it apart.

Pub Date: Aug. 29, 2017

ISBN: 978-1-4201-4094-1

Page Count: 368

Publisher: Zebra/Kensington

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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