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BLUE CHRISTMAS

Appealing character-driven holiday fair, with the slightest of plots.

Savannah antiques maven Eloise “Weezie” Foley returns to solve a Christmas mystery.

Facing stiff competition from her “nearest and queerest” neighbors (rival shopkeepers Manny and Cookie), Maisie’s Daisy proprietress Weezie pulls out all the stops to win Savannah’s annual Christmas-decoration contest. She faces an early upset, though, when her fruit-festooned store windows are ruined, with all the edibles gone missing. Could it be the work of hungry birds? Or sabotage? Inspiration strikes again after she discovers a blue vintage Christmas-tree pin at an auction and uses it to create a ’50s-themed kitsch extravaganza that wins her first prize—and perhaps some unwanted attention. Strange things start to happen soon after. Her beloved mutt Jethro runs away, only to be returned safely by an anonymous Good Samaritan who leaves the dog in Weezie’s truck. Food (and nothing else) for a holiday party is stolen from her house, and a strange homeless woman is discovered sleeping in her “Blue Christmas” store window. Meanwhile, her grumpy chef boyfriend Daniel refuses to get into the holiday spirit, spending all his time toiling at his successful restaurant, Guale. Weezie suspects it is not work that is keeping him from enjoying himself, but rather bad memories of his childhood abandonment by his mother. Eager to spread some cheer and play peacemaker, she invites Daniel’s remaining family to her house for Christmas Eve, where, not surprisingly, chaos ensues. Jethro gobbles (and vomits back up) a hot bowl of fresh crab dip, Daniel’s vegan sister-in-law brings tofurky and two guests end up in the emergency room. The rest of this fluffy follow-up to Savannah Breeze (2006) is swiftly tied up as professional adversaries make nice, mysterious strangers are revealed to be long-lost loved ones and a way-overdue wedding proposal is enthusiastically accepted.

Appealing character-driven holiday fair, with the slightest of plots.

Pub Date: Nov. 1, 2006

ISBN: 0-06-083734-9

Page Count: 208

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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