Of value to those pondering what happened for the past five years and whether we can truly heal.
The former president’s niece gets in a few more licks.
There is no love lost between Trump and her uncle: “But for him, we would not have become so divided. But for him, a simple lifesaving maneuver like wearing a mask would not have become politicized. But for him, we would not have suffered a mass casualty event in this country every day, for month after month after month.” She reckons that under her uncle’s watch, the nation was forced to endure so catastrophic a trauma that, in essence, we’re all suffering from PTSD. That trauma is an old one, she writes, and here the narrative descends from political and psychological analysis to the recitation of a history that is well known: Our trauma and many of our divisions emerge from the original sin of slavery and the failure of Reconstruction. Because we have not come to terms with that sin, and because racism is resurgent, we have no chance to remedy it. Trump’s approach is a touch scattershot. She has a particular bone to pick with Robert E. Lee, whom she calls “a vile human being,” and even lays a few tut-tuts on Barack Obama for “failing to hold prior crimes to account,” from Abu Ghraib to the fast-and-loose financial shenanigans that led to the Great Recession. She’s at her best, and on the firmest of ground, when she lays into her uncle’s manifest shortcomings: “When your motive is not simply winning at all costs but grievance and revenge, you’re more dangerous than a straight-up sociopath. Donald is much worse than that—he’s someone with a gaping wound where his soul should be.” What’s more, she insists, with good reason, the Republican Party has followed his lead as “an instinctive fascist” to become an enemy of American democracy, yet another source of our mass trauma—our rescue from which will come only with our “facing the truth and feeling the pain.”
Of value to those pondering what happened for the past five years and whether we can truly heal.Pub Date: Aug. 17, 2021
ISBN: 978-1-250-27845-6
Page Count: 208
Publisher: St. Martin's
Review Posted Online: Sept. 3, 2021
BOOK REVIEW
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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