A poetic and inspiring invitation to find ways of dwelling in meaning and joy.
A collection of essays centered around the theme of the ritual.
A ritual encompasses many forms: It could be mundane, like eating breakfast, or symbol-laden, like receiving the body and blood of Jesus at Communion. The experiences that interest Potter are ritualistic acts elevated into life-altering and resonant experiences, leading to a state of liminality—a sense of crossing a threshold or existing in between two separate realities. One way these liminal states can be entered is through physicality, via the body itself. In her first essay, “Between Chaos and Light: Sex, Card Playing, God, Calvin, and Dancing,” the author, who was forbidden to dance during her Calvinist upbringing, discovers that rhythmic yet freeform movement can become a spiritual rite akin to the practice of the whirling dervish Sufi dancers (“their bodies prayers”). In “The Story of a Hollowed-out Bone,” Potter acquires a Buddhist relic for self-protection (a femur, fashioned into a trumpet) that leads her to a shattering discovery about herself. Places can be routes to the in-between state as well, catching us between two worlds. “By the River of 1000 Lingas” explores how a small river in Cambodia with carvings of sacred masculine and feminine symbols (lingams and yonis) adorning its banks mystically links the natural with the human-created. Another essay, “Ever Becoming—Never Being: Dwelling in the Sukkah,” concerns the concept of sukkot, open-sided temporary dwellings some observant Jews reside in for a short period every fall. Sukkot, too, present a duality, acting as both refuge and not-refuge. Potter’s book is tightly organized, with essays divided thematically into four parts. Photos of such subjects as Cambodian temple moonstones, a Whidbey Island labyrinth, and the author’s tallit (prayer shawl) add visual interest, but are almost unnecessary; the prose creates evocative word pictures on its own. (Preparing to write, Potter feels “rushing-spirit brooding over the face of deep, dark, moving waters of what is possible but is not yet born.”) The author describes her book as “an active intuition going for a walk”; Potter’s lyrical essays will make readers want to join the walk, too.
A poetic and inspiring invitation to find ways of dwelling in meaning and joy.Pub Date: Jan. 1, 2025
ISBN: 9798989164028
Page Count: 248
Publisher: The Liminality Press
Review Posted Online: Jan. 28, 2025
Kirkus Reviews Issue: March 15, 2025
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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