by Mary Laura Philpott ‧ RELEASE DATE: April 2, 2019
Delightfully bighearted reading.
An essayist and Emmy-winning literary talk show host muses on the ups and downs of her life as a daughter, mother, career woman, and wife.
Philpott (Penguins with People Problems, 2015), who hosts A Word on Words on Nashville Public Television, opens this collection of inviting autobiographical essays with a meditation on the titular phrase. Her son devised it as a bored 6-year-old playing in her home office, but she later saw the words as perfectly capturing “that universal adult experience: the identity crisis.” In the appealing essays that follow, Philpott explores episodes from her life when she experienced identity shifts, both large and small, that forced some form of personal “recalibration.” She begins by examining how the perfectionism that followed her from a childhood defined by good grades and a desire to please came up against the adult realization that humans are “limited by the bounds of what we understand to be right.” In “Good Job,” Philpott details her first post-college/early-career awakening. As the author clearly demonstrates, the rewards toward which she had been taught to run “like a mouse on a wheel” simply did not exist. Yet her tendency to impose an ideal version of reality onto her actual experiences continued, as she admits in “The Expat Concept.” When her husband’s job took him to Dublin, for example, she put more time into creating the perfect wardrobe and envisioning glamorous photo-ops than “into figuring out how we would eat.” It was only during a major midlife crisis that the author came face to face with the fact that the perfect existence she insisted on creating—despite all she knew about letting go of personal and social expectations—had left her feeling like a depressed “human traffic jam.” Warm, candid, and wise, Philpott’s book is both an extended reflection on the pressures of being female and a survivor’s tale about finding contentment by looking within and learning to be herself.
Delightfully bighearted reading.Pub Date: April 2, 2019
ISBN: 978-1-982102-80-7
Page Count: 288
Publisher: Atria
Review Posted Online: Jan. 5, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Bill Walton ‧ RELEASE DATE: March 8, 2016
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.
A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”
Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.
One of the NBA’s 50 greatest players scores another basket—a deeply personal one.Pub Date: March 8, 2016
ISBN: 978-1-4767-1686-2
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Dec. 18, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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by Bill Walton with Gene Wojciechowski
by Annie Ernaux ; translated by Tanya Leslie ‧ RELEASE DATE: May 12, 1991
A love story, in other words, bittersweet like all the best.
As much about Everywoman as one particular woman, French author Ernaux's autobiographical novel laconically describes the cruel realities of old age for a woman once vibrant and independent.
The narrator, a middle-aged writer, decides that the only way she can accept her mother's death is to begin "to write about my mother. She is the only woman who really meant something to me and she had been suffering from senile dementia for two years...I would also like to capture the real woman, the woman who existed independently from me, born on the outskirts of a small Normandy town, and who died in the geriatric ward of a hospital in the suburbs of Paris.'' And she proceeds to tell the story of this woman—who "preferred giving to everybody rather than taking from them,'' fiercely ambitious and anxious to better herself and her daughter—for whom she worked long hours in the small café and store the family owned. There are the inevitable differences and disputes as the daughter, better educated, rebels against the mother, but the mother makes "the greatest sacrifice of all, which was to part with me.'' The two women never entirely lose contact, however, as the daughter marries, the father dies, and both women move. Proud and self-sufficient, the mother lives alone, but then she has an accident, develops Alzheimer's, and must move to a hospital. A year after her death, the daughter, still mourning, observes, "I shall never hear the sound of her voice again—the last bond between me and the world I come from has been severed.'' Never sentimental and always restrained: a deeply affecting account of mothers and daughters, youth and age, and dreams and reality.
A love story, in other words, bittersweet like all the best.Pub Date: May 12, 1991
ISBN: 0-941423-51-4
Page Count: 112
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
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by Annie Ernaux & Marc Marie ; translated by Alison L. Strayer
BOOK REVIEW
by Annie Ernaux ; translated by Alison L. Strayer
BOOK REVIEW
by Annie Ernaux ; translated by Alison L. Strayer
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