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SPANISH RECOGNITIONS

THE ROADS TO THE PRESENT

Travel-writing in the tradition of Jan Morris and Paul Theroux, recounting sojourns that are never entirely comfortable,...

A graceful memoir of solo travel in post-Franco Spain, bookending the author’s equally graceful Turkish Reflections (1991).

“To be alone by choice is one of the great luxuries of the world,” writes National Book Award–winning author Settle. “I went to Spain alone. I wanted to discover it, not have it pointed out to me by friends, guidebooks, experts, or that most powerful of modern Big Brothers, controlled tourism.” Armed with copies of Cervantes and Garcia Lorca, as well as memories of the Spanish Civil War (as a teenager, she writes, she “fell in love with the Spain of that war”), she wanders the lonely mountain country of Extremadura and Andalusia, drops in on tertulias (“a daily meeting of minds, whether horse race or politics, fishing or philosophy or the teléfono árabe, the spreading of rumor”) that come straight from the pages of Pérez-Reverte, and seeks the ever-elusive essential quality of Spanishness, which she finally decides has something to do with defiance—not rebellion or resistance, necessarily, but the habit of fearlessly facing tyrants, “whether the tyrants be kings or windmills.” The notion of a stately Southern gentlewoman getting on in years and traveling alone promises moments fraught with peril, but Settle finds herself welcome just about everywhere, more so than on earlier journeys. (A quarter of a century ago, she recalls, a restaurateur put an American flag on her table lest, dining alone, she be confused for a hooker). For the most part, she finds in Spain a young, vibrant country that has thrown off the burdens of the fascist era and that has yet to be Disneyfied (though Palos’s replica of Columbus’s three ships comes close)—a place, in other words, that seems very attractive indeed, and that benefits by having so sympathetic and understanding a guide.

Travel-writing in the tradition of Jan Morris and Paul Theroux, recounting sojourns that are never entirely comfortable, never really dangerous, but full of surprises and pleasures.

Pub Date: Feb. 1, 2004

ISBN: 0-393-02027-4

Page Count: 320

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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