Everyone, it seems, wanted a piece of this superior travelogue by the National Book Award-winning author of Blood Tie, The Beulah Quintet, and Celebration—which is why parts of it are slated to run in Traveler, The New York Times Magazine, and Travel and Leisure. And though the book's subject is a hermetic land, hardly a main contender among fabled destinations, Settle works real magic on it, as clearly Turkey worked on her. She went there first in the early Seventies, a refugee from hostile gangs of teens on a Greek island where she'd intended to write a novel. In the port town of Bodrun she found solace, $l0- a-day coast cruises, and, above all, Anatolian friends. And if, on her return some 20 years later, Bodrun's recent Cìte d'Azur- ish make-over disappoints her, the rest of Settle's wanderings do not. Istanbul is her first stop, where she visits the Blue Mosque and Hagia Sophia; muses on the Venetian Sack of Constantinople and the genius of the l6th-century architect Sinan; and even hazards a scrub-down in a Turkish bath. Then it's on to the Black Sea, where Settle demonstrates her splendid fluency with history, literature, and myth (recalling that this coast was once the witch Medea's home). From there she plots a crescent course into the mountainous heart of Turkey, searching for remains of the Seljuk empire, ending up back on the coast listening for echoes of the Hittites, climbing Mt. Latmos, making friends, and, always, loving Turkey. Settle's eye for perfect detail never fails (the sacrificial sheep slaughtered even at modern-day ship launchings, the taste of Turkish wine). But, more, she does for Turkey what only the most accomplished travel writers do: shows why it is a place that must be visited, then makes it seem as if her readers have just come home from there.
Pub Date: June 17, 1991
ISBN: 0-13-917675-6
Page Count: 256
Publisher: Prentice Hall
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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