Readers who come to share Mann’s understanding could find the book useful, or at least a brief diversion from their boring...
Studying a mood that “pops up in every facet of existence, from work to love to war.”
Mann likely won’t mind if you find her debut book a little boring; in fact, she’ll likely expect it. Her engaging, essayistic examination underscores boredom’s pervasiveness, how most people find themselves bored by most things—work most of all. Recognizing her own tendencies toward boredom and the restlessness that often accompanies it, she decided to start exploring just what boredom is, why it is so common, and what, if any, purpose it serves. She finds she is not alone: “Boredom in 2015 was becoming something of a hot topic, an old feeling made new by media attention, and here we were at the very cusp of a trend,” she writes of attending a sold-out event called “Bored and Brilliant.” (Mann also learned about international conferences on the topic, but why spend the money to travel to Poland when there’s so much boredom to study near home in Manhattan?) The author attended a sex-toy party for some insight on how to deal with boredom in bed or with monogamy in general. She explores how some consider travel an antidote for boredom, with a whole industry of tourism catering to that need. She writes of the “restless violence” to which teenage boys in particular are prone as they try to break the cycle (also termed “boredom-induced violence”) and the deep depression into which some can descend, with boredom as a trigger or at least an early warning sign. She writes of boredom as a part of the creative process. Mostly, she distracts herself with the project, but even she can become bored with the study of boredom, recognizing the penchant that sparked her interest in the first place. She concludes that “the things I learned about boredom, and the ways I learned to talk about it, actually proved useful.”
Readers who come to share Mann’s understanding could find the book useful, or at least a brief diversion from their boring lives.Pub Date: May 16, 2017
ISBN: 978-0-374-53584-1
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 12, 2017
Kirkus Reviews Issue: March 1, 2017
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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