A small child describes “what I like most in the world”…that is, except for the other thing, and also the other thing, and so on.
A window to look out of, apricot jam, new shoes with blinking lights, the river….Author Murphy uses poetic language to highlight the important features of each object from a child’s point of view. Each item ends with the same line: “what I like most in the world.” This leads, after a page turn, to the next item, which begins: “Except for….” While the ideas and language remain simple and childlike, an additional pattern begins to emerge as this unnamed child with East Asian features details each item: Everything changes with time. From the view out the window to a colored pencil that grows shorter with use, a feeling of impermanence pervades the text. Even items that inherently don’t change, like a book or a teddy bear, become different because of the child’s relationship to them. However, the last item the child shares breaks the pattern, the thing that “I like the very, very most in the world,” and readers know that there is one important thing in this child’s life that will never change. Artist Zhu accompanies these odes to everyday life with watercolor and pencil, illustrating the text faithfully.
A simple yet sweet introduction to impermanence and change in all things…except one. (Picture book. 3-7)Pub Date: April 7, 2020
ISBN: 978-1-5362-0940-2
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 21, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 2, 2021
Categories: CHILDREN'S HOLIDAYS & CELEBRATIONS | CHILDREN'S SOCIAL THEMES
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A feel-good book about self-acceptance.
Empire star Byers and Bobo offer a beautifully illustrated, rhyming picture book detailing what one brown-skinned little girl with an impressive Afro appreciates about herself. Relying on similes, the text establishes a pattern with the opening sentence, “Like the sun, I’m here to shine,” and follows it through most of the book. Some of them work well, while others fall flat: “Like the rain, I’m here to pour / and drip and fall until I’m full.” In some vignettes she’s by herself; and in others, pictured along with children of other races. While the book’s pro-diversity message comes through, the didactic and even prideful expressions of self-acceptance make the book exasperatingly preachy—a common pitfall for books by celebrity authors. In contrast, Bobo’s illustrations are visually stunning. After painting the children and the objects with which they interact, such as flowers, books, and a red wagon, in acrylic on board for a traditional look, she scanned the images into Adobe Photoshop and added the backgrounds digitally in chalk. This lends a whimsical feel to such details as a rainbow, a window, wind, and rain—all reminiscent of Harold and the Purple Crayon. Bobo creates an inclusive world of girls in which wearing glasses, using a wheelchair, wearing a head scarf, and having a big Afro are unconditionally accepted rather than markers for othering.
A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)Pub Date: March 6, 2018
ISBN: 978-0-06-266712-0
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 3, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Categories: CHILDREN'S SOCIAL THEMES
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