Sharp storytelling indeed.

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THE SHARP TIME

Palpable grief plus irreverent humor equal one extraordinary debut novel.

After algebra teacher Mrs. Bennett inappropriately chides ADD-suffering Sandinista Jones (named for the seminal Clash album) for not paying attention in class, the 18-year-old, whose single mother has recently died, gives up on school and life. The situation reminds Sandinista of all the times she failed to stand up for a mentally challenged student during Mrs. Bennett’s endless taunting. To fill her days, the teen quickly finds a job at the Pale Circus, a vintage clothing store, a companion in heartache with co-worker and “druggie Robin Hood” Bradley and in possession of a handgun. Her resonant, thought-provoking first-person narration reveals her mounting helplessness, tension and guilt as on each passing day the school fails to call her (who’s not paying attention now?) and makes readers gulp in anticipation as she plots revenge against Mrs. Bennett. It takes a village, or at least a street full of eclectic shop workers in her rundown Kansas City neighborhood, to raise Sandinista out of despair. From her newfound community, comprised of the  HIV-positive Pale Circus owner, Erika of Erika’s Erotic Confections, a sympathetic pawn-shop owner and friendly Trappist monks, she finds faith, the will to go on in and unexpected beauty in an often cruel world.

Sharp storytelling indeed. (Fiction. 14 & up)

Pub Date: Nov. 8, 2011

ISBN: 978-0-385-74048-7

Page Count: 240

Publisher: Delacorte

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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An emotionally engaging closer that fumbles in its final moments.

ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Many teen novels touch on similar themes, but few do it so memorably.

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ALL THE BRIGHT PLACES

Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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