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SLEEPING BOBBY

A third from the duo of Osborne and Potter, this one is less a feminist remake than simply a character gender swap. When a long-awaited son, Bob, is finally born to the royal couple, 12 of the kingdom’s 13 Wise Women are invited to the feast (there is a shortage of china). The spurned Wise Woman gives Bob the traditional gift of death by spindle prick, while the 12th lessens the curse to a 100-year sleep. The Grimms’ tale continues. Then, a “kind, clever, modest, and very lovely princess” with “great curiosity and a taste for adventure” sets out to find her fortune and determines she will seek the mysterious sleeping prince. When she finally lays eyes on him, she finds him so handsome that she just has to kiss him, thus awakening him and sparking their instantaneous love for each other. Potter continues the style set by the two earlier books—flat gouache-and-watercolor artwork in earth tones. Absent of the plucky, personality-rich heroines in their previous two outings, this one is an uninspiring disappointment save for Potter’s art. (Picture book. 4-8)

Pub Date: Oct. 1, 2005

ISBN: 0-689-87668-8

Page Count: 40

Publisher: Anne Schwartz/Atheneum

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2005

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THIS BOOK IS HAUNTED

A good collection of poems and quick tales that packs a little Halloween chill. Adinolfi’s (Fred’s Bed, 2001, etc.) art has the right mixture of daffy and spooky—eerie faces and clacking skeletons, in strong colors—to set the tone for these six stories, a couple of which have comical edges, but mostly have a solid, creepy quality. Two are cautionary tales: One involves a couple of girls who visit one house too many on Halloween night, the other an irresponsible bully boy who refuses to bring back a library book. One provides a shock: “Then Sally Bibble drew a little scribble / that looked a lot like Baby Bibble. / They never found her baby sister. / Sally Bibble hardly missed her.” And a couple leave strange things unexplained, though older characters think they have figured out the queer happenings: a house that echoes even when it’s not empty, and a mysterious tap tap tapping. The text is also pitch-perfect for beginning readers, with just enough challenge to the words and a narrative momentum that pulls readers right along. (Easy reader. 4-8)

Pub Date: Sept. 1, 2002

ISBN: 0-06-028456-0

Page Count: 48

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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