A pocket adventure for environmentalists and those who enjoy meditative writing.
An intimate think piece on the world of man vs. nature.
Quade, a poet and creative writing instructor, presents a mixture of travel memoir, philosophical meditation, and environmental ethics class, pondering the many ways she and all of us walk through the world. Her captivating first essay packs a familiar punch, as the author discusses catastrophic oil spills, but the real meat of the chapter is the personal saga of how Quade tried to rescue her own ducklings on her farm. Throughout the book, the author creates similar narrative patterns, relating the larger natural world with her smaller inner one. Birds, snakes, monkeys, monarch butterflies, and numerous other animals move within the text, each reflecting some facet of the relationship between humans and animals. Quade also chronicles her travels around the world, with a focus on Mexico and Vietnam and how their politics relate to her own story. She writes to alert readers about certain issues related to nature (“a fluttery term”) or current affairs but also to connect with them. At times, the switch between bucolic settings and international politics can be jarring, but Quade maintains a quick tempo that keeps the pages turning. Some of the essays read like elongated thoughts and scribblings, but they always end with a conclusion that allows readers to think deeply about the subject matter. Quade acts like a teacher, leaving some of the work to her audience. Recalling a milk carton label that said, “Produced in harmony with nature,” she writes, “I’m not terribly musical, but it seems to me if we’re on the same note—nature—we can’t really be in harmony, we can only be in unison. But if we think of nature as something ‘other,’ something we can be in or out of harmony with, then what does being in harmony with it entail?”
A pocket adventure for environmentalists and those who enjoy meditative writing.Pub Date: Sept. 19, 2023
ISBN: 9780814258774
Page Count: 208
Publisher: Mad Creek/Ohio State Univ. Press
Review Posted Online: May 5, 2023
Kirkus Reviews Issue: June 1, 2023
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
A powerful melding of image and text inspired by Instagram yet original in its execution.
Smith returns with a photo-heavy book of days, celebrating births, deaths, and the quotidian, all anchored by her distinctive style.
In 2018, the musician and National Book Award–winning author began posting on Instagram, and the account quickly took off. Inspired by the captioned photo format, this book provides an image for every day of the year and descriptions that are by turns intimate, humorous, and insightful, and each bit of text adds human depth to the image. Smith, who writes and takes pictures every day, is clearly comfortable with the social media platform—which “has served as a way to share old and new discoveries, celebrate birthdays, remember the departed, and salute our youth”—and the material translates well to the page. The book, which is both visually impactful and lyrically moving, uses Instagram as a point of departure, but it goes well beyond to plumb Smith’s extensive archives. The deeply personal collection of photos includes old Polaroid images, recent cellphone snapshots, and much-thumbed film prints, spanning across decades to bring readers from the counterculture movement of the 1960s to the present. Many pages are taken up with the graves and birthdays of writers and artists, many of whom the author knew personally. We also meet her cat, “Cairo, my Abyssinian. A sweet little thing the color of the pyramids, with a loyal and peaceful disposition.” Part calendar, part memoir, and part cultural record, the book serves as a rich exploration of the author’s fascinating mind. “Offered in gratitude, as a place to be heartened, even in the basest of times,” it reminds us that “each day is precious, for we are yet breathing, moved by the way light falls on a high branch, or a morning worktable, or the sculpted headstone of a beloved poet.”
A powerful melding of image and text inspired by Instagram yet original in its execution.Pub Date: Nov. 15, 2022
ISBN: 978-0-593-44854-0
Page Count: 400
Publisher: Random House
Review Posted Online: Sept. 5, 2022
Kirkus Reviews Issue: Oct. 1, 2022
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