First-time readers are advised to leave Otto Penzler’s introduction, which contains a casual whopper of a spoiler, for last.
Murder stalks an upper-class household in this reprint of the 1930 novel Rinehart wrote to help launch her sons’ new publishing imprint, Farrar & Rinehart.
Nothing much happens in the life of Elizabeth Jane Bell, a spinster whose house is isolated from everyone but servants and relatives, such as her cousin Judy Somers, who pass through. Judy’s tenure, however, turns out to be different, marked by the discovery of a cane with a knife inside, the sighting of a suspicious man on the staircase, and the disappearance of nurse Sarah Gittings, who’s found beaten and stabbed to death several days later. Sarah’s murder is the first of so many casualties—to use the flashforward terms patented by Rinehart’s “Had I But Known” whodunits, three more fatalities and three non-fatal attacks will follow—that Elizabeth Jane’s starchy exchanges with Mary Martin, her live-in secretary, and Jim Blake, another cousin, perfectly foreshadow the interrogations to come when Inspector Harrison begins to suspect Jim of murder and the damning testimony of witnesses against him. The heart of the matter is clearly a new will prepared by Judy’s father, Howard Somers, the husband of Jim’s sister, Katherine, days before he died of causes that looked natural only for a very limited time. Despite the inevitably dated social structure—not only does Elizabeth Jane retain all those servants, but some of them play crucial roles in the plot—and some racist language, the tale maintains decorous but mounting levels of suspense all the way through to its final line, one of the best kickers in the genre.
First-time readers are advised to leave Otto Penzler’s introduction, which contains a casual whopper of a spoiler, for last.Pub Date: Dec. 3, 2024
ISBN: 9781613165935
Page Count: 400
Publisher: American Mystery Classics
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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