by Mary Stolz & illustrated by Sergio Martinez ‧ RELEASE DATE: Nov. 30, 1997
Stolz (Coco Grimes, 1994, etc.) fleshes out—barely—a sentimental Civil War ballad about brothers who share a hobby horse, and years later, another steed in the aftermath of battle. Tom Rigby's excitement as he awakens on his ninth birthday changes to outrage when he learns that the slave Aaron, a companion to him and his twin for most of their lives, has been summarily ``sent to the quarter'' by their father to be a field hand. Although he listens reluctantly to the warnings of the household slaves (who maintain that making a fuss will only endanger Aaron), Tom defiantly gives his birthday toys away to the slave children. He has an argument with twin Jack, who echoes their father's advocacy of slavery, although the rift isn't wide enough to prevent him from sharing his hobby horse when Jack's breaks. Twelve years later, Tom—a Union officer—recalls that time as he offers a ride to a wounded Confederate soldier who only looks too familiar. Stolz focuses more on her characters' emotional states than on plot or background detail, and readers who are less familiar with the era will wonder why Aaron was sent away, and why the slave children have to hide their new toys from the overseer. Paul Fleischman's Bull Run or Gary Paulsen's Nightjohn (both, 1993) afford more insight into the realities of slavery and of what Stolz calls ``this brothers' war.'' (b&w illustrations, not seen) (Fiction. 9-11)
Pub Date: Nov. 30, 1997
ISBN: 0-06-027362-3
Page Count: 54
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
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by Sallie Ketcham ‧ RELEASE DATE: March 1, 1999
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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by Shirley Hughes ‧ RELEASE DATE: April 1, 1999
From Hughes (Enchantment in the Garden, 1997, etc.), a WWII story with big ambitions—many of them realized’set out in the pages of an unusually long picture book. Lenny Levi lives in London with his mother during the Blitz, cherishing the letters from his father at the front, and the medal of the lion and the unicorn his father gave him. When Lenny is evacuated to the country, he finds himself at a huge old manor with three little girls, the lady of the house, and a few servants. He is lonely, teased at school and at home for not eating bacon and for bedwetting, but makes a friend of the young man with one leg he meets in the secret garden on the estate. The garden, thick with roses, also holds a beautiful statue of a unicorn like the one on his medal. As Lenny’s loneliness and fear spiral out of control, a night vision of the unicorn brings him back; his mother comes to take them both to his aunt in Wales, where his father will join them. The storyline, while straightforward, hints at difficult subjects—religious differences, amputees, separation, family disruptions, the terror of bombing, and more—which are then given only cursory treatment. The pictures are splendid: luminous, full-bodied watercolors that capture the horror of London burning, the glory of the countryside, and mists of dreams. It may be difficult for this to find its audience, but children too young for Michelle Magorian’s Good Night, Mr. Tom (1986) might be captured. (Picture book. 8-10)
Pub Date: April 1, 1999
ISBN: 0-7894-2555-6
Page Count: 60
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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