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KING EMMETT THE SECOND

In Emmett's Pig (1959), Emmett received his heart's desire; ``King Emmett,'' a pig described as his but kept on a farm at some distance from his N.Y.C. home. Now, in one day, Emmett receives two overwhelming pieces of news: he hears that his family is moving to a small Ohio town (which precipitates what may be his first temper tantrum); then, with remarkably bad timing, his mother tells him that King Emmett is no more—he has met a pig's usual fate. Not surprisingly, Emmett arrives at the Ohio house full of belligerence, but Ohio simply doesn't fight back: the house really is nicer; despite Emmett's suspicions, the older boy next door is friendly and teaches Emmett to ride his new bike; and a more suitable pet is soon provided—a dog with a memorial name (see title), to be called simply ``King.'' Once past the jolting (though not altogether improbable) beginning, this becomes a pleasant story of necessary adjustments made with good intentions and with some realistic parent-child negotiations. Williams's contribution is minimal here, but Emmett is recognizable, just a year older. (Fiction/Young reader. 7-10)

Pub Date: May 24, 1991

ISBN: 0-688-09520-8

Page Count: 56

Publisher: Greenwillow Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1991

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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