A competent but unremarkable addition to a “nevertheless, she persisted” display.
To prove herself and seize a chance for her mother, a girl enters a competition traditionally reserved for boys—one that could turn deadly.
Every year, the mysterious Holm offers a contest for “all gentlepersons of university age” to compete for a prestigious scholarship. Tensions are running high in the patriarchal society of Pinsbury Port, which is physically divided into the haves and the have-nots, with the emergence of an unidentified disease that slowly kills its victims. Rhen Tellur seeks a cure for her infected mother: Desperate for access to better resources, she enters Holm’s competition disguised as a boy. Weber (Reclaiming Shilo Snow, 2018, etc.) creates a high-fantasy world that evokes Victorian England but keeps the supernatural creatures, such as ghouls and sirens, roaming the margins. Tan-skinned 17-year-old Rhen is justifiably distraught over her mother’s sickness but cool and calculating when engaged with science. She’s also infatuated with Lute, an attractive, brown-skinned, lower-class boy. “The strangest woman” Lute’s ever met, she prefers spending time in her father’s lab examining blood samples from fresh cadavers over prancing around an upper-crust party. The plot and character development proceed in a predictable manner, making emotional investment in the story difficult for readers. Rhen is dyslexic and Lute’s younger brother has Down syndrome. Racial markers are ambiguous, and the cast seemingly defaults to white.
A competent but unremarkable addition to a “nevertheless, she persisted” display. (author’s note, discussion questions, recipe) (Fantasy. 14-17)Pub Date: March 19, 2019
ISBN: 978-0-7180-8096-9
Page Count: 336
Publisher: Thomas Nelson
Review Posted Online: April 21, 2019
Plenty of mysteries and betrayals set up the trilogy’s forthcoming conclusion, which fans will eagerly await
Earth’s few remaining normal teenagers struggle to survive in this gruesome, bloody post-apocalyptic sequel.
The world’s gone completely to hell: All nonelderly adults are dead, and most teenagers are Changed into zombielike feral children who eat humans alive. Survivors huddle into protective enclaves and protect themselves with deadly force. The cliffhanger ending of Ashes (2011)—Alex flees from the strangely religious community of Rule only to stumble into the bone-strewn larder of a pack of Changed—takes 100 pages to resolve, mostly due to the shifts in perspective to other un-Changed teenagers driving these action-packed short chapters. Alex is a prisoner of the Changed, and as they drive her through the snowy wilderness, she sees that their behavior is, disturbingly, growing less feral: They use guns, make uniforms and practice profitless cruelties. The remaining adults seem nearly as cruel, practicing Josef Mengele–style experiments and killing children to cover ancient political feuds. Sometimes it seems like the only difference is that the Changed eat their prey, devouring them in sensuously described murder and torture scenes packed with fountaining blood and festooned guts. Nearly every chapter ends with a cliffhanger, keeping the horror appropriately unending: “And then Spider squeezed the trigger.” “The knife hacked down with a whir.” “And then, it moved.”
Plenty of mysteries and betrayals set up the trilogy’s forthcoming conclusion, which fans will eagerly await . (Horror. 14-17)Pub Date: Sept. 11, 2012
ISBN: 978-1-60684-176-1
Page Count: 528
Publisher: Egmont USA
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Sure, it’s the start of a trilogy about a foundling who is a destined savior with a prickly love interest from the other...
An illiterate garbage man is also the 17-year-old hero who’ll save the Earth from megalomaniac overlords.
In an alternate near future, the kingmakers of the world are in Eden City, where the Words Made Flesh wield the powers of gods and the common people are “wordless,” forbidden to learn to read. Tavin was a foundling, rescued and raised by a trash collector. Though he’s more muscular and attractive than the rest of the city’s rabble, Tavin plays the role of a modern Everyman, rising from below to save the princess and the world. The princess, in this case, is Khaya, the Word of Life, a godlike being who manipulates Tavin into...rescuing her? As Khaya explains in their pell-mell flight from Eden City, the Words aren’t actually in charge. Instead, they’re a manipulated crew of immensely powerful, politically bred, multiethnic teenagers, mere tools for the superrich Godspeakers. Khaya’s uncovered a Godspeaker plot to rule the world through military power, and only Tavin—who, as a foundling, of course has his own secrets to discover—can help her do it. Tavin’s story follows the comfortable, familiar beats of so many narratives from Star Wars to Harry Potter, with just the right amount of pizzazz in the form of cinematic action and naked, sexy fun.
Sure, it’s the start of a trilogy about a foundling who is a destined savior with a prickly love interest from the other side of the tracks—but with a nonetheless intriguing, original science-fantasy setting sure to attract fans . (Science fiction. 14-17)Pub Date: Aug. 8, 2014
ISBN: 978-0-7387-3966-3
Page Count: 336
Publisher: Flux
Review Posted Online: May 13, 2014
Kirkus Reviews Issue: June 1, 2014
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