by Maryann Jacob Macias ; illustrated by Alea Marley ‧ RELEASE DATE: Sept. 28, 2021
A gender-affirming picture book with a lovable, indomitable star.
Téo loves to dance, but ballet class makes him nervous.
He and his parents practice their moves to both bhangra and cumbia, both of which are very different from ballet. In the studio, Téo nervously takes his place on the floor. During stretches, a boy makes fun of Téo’s tutu, but their teacher, Ms. Lila, immediately comes to Téo’s defense. For the rest of his first class and during the classes that follow, Téo loses himself in the joy of learning a new skill. The more he practices, the more confident and talented he feels. As the recital approaches, Téo is more and more excited to get on stage—until the costumes arrive. Téo picks out a shirt and pants, just like all the other boys. But he also takes home a lavender tutu, which is the costume he really wants to wear. On recital day, when he has to make a decision, Téo’s family encourages him to wear the clothes that he likes best, emphasizing that at times, being our authentic selves requires us all to be brave. This lyrical book bursts with sincerity without ever feeling preachy or forced. Téo’s parents and his teacher embrace Téo exactly as he is, infusing the story with love and triumph and ensuring that Téo is never reduced to the oppression he faces. Brown-skinned, curly-haired Téo is biracial, with a South Asian mom and Latinx dad, and his enthusiasm leaps from Marley’s artwork on every page. (This book was reviewed digitally.)
A gender-affirming picture book with a lovable, indomitable star. (Picture book. 3-7)Pub Date: Sept. 28, 2021
ISBN: 978-1-9848-1552-1
Page Count: 32
Publisher: Dial Books
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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