Kids with their own favorite toys will identify with this gentle, tender tale of Sam and Jump’s special bond.
When a small boy forgets his precious stuffed rabbit at the beach, he fears the worst.
“Best friends” who “do everything together,” Sam, a white boy, and his stuffed rabbit, Jump, go to the beach, where they meet a black boy named Thomas. They play together all day. When he gets home, Sam realizes he’s left Jump at the beach. His mother promises they will return to the beach in the morning, but Sam can’t eat dinner or enjoy his bedtime story and spends the night imagining terrible things happening to Jump. In the morning, Sam can’t find Jump anywhere at the beach and “nothing was fun” without him. Then Thomas returns carrying the missing Jump, and all’s well. Sweet, endearingly simple illustrations created with pencil, watercolor, and “digital magic” judiciously use white space to focus attention on inseparable Sam and Jump sharing tea, soaping up in the tub, and sitting side-by-side on a tree branch and in an overstuffed chair. Following Jump’s abandonment, murky, blue-gray backgrounds emphasize Sam’s sadness, isolation, and fear, while Sam’s solitary figure on the beach echoes his loneliness and loss, reprieved later in the silent hug of his reunion with Jump.
Kids with their own favorite toys will identify with this gentle, tender tale of Sam and Jump’s special bond. (Picture book. 3-7)Pub Date: May 10, 2016
ISBN: 978-0-7636-7947-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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