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DARLING, I'M GOING TO CHARLIE

A MEMOIR

A brief, affecting Gallic story of an enduring marriage that ended in senseless tragedy.

A deeply felt memoir from the wife of a cartoonist killed in the 2015 Charlie Hebdo terrorist attack.

One winter Wednesday in Paris, French journalist Wolinski was swiftly and savagely widowed after 47 years of marriage. Her husband was the well-known Georges Wolinski (1934-2015), the oldest cartoonist on the staff of the renowned satirical newspaper. On Jan. 7, Georges, leaving their apartment, called out to his wife, “darling, I’m going to Charlie.” Soon, he and 11 others were murdered by a pair of terrorist brothers to redress the publication’s cartoon depictions of the Prophet Muhammad. Relying on eyewitnesses, social media, and her memory, the author writes passionately of the assault and the days following. Early on, she wasn’t alerted to the killings. As the scene filled with police, reporters, and politicians, she wondered why Georges didn’t call to arrange a meeting that afternoon to view an apartment. She learned of the attack from a sympathetic taxi driver and of the death of her husband by a phone call from her son-in-law. Charlie Hebdo had been threatened before, but it was ill-equipped, even a bit lax, in its defense. Wolinski has little sympathy for the police, who, at union insistence, had reduced surveillance. The first responders consisted of two sparsely armed policemen on bicycles. Authorities did not call to inform her and did not tell her where her husband’s remains were taken. In a final affront, his name was misspelled on a memorial plaque at the offices. Ultimately, the author was able to draw solace from the many loving Post-it notes her husband habitually left for her throughout their apartment. No more than a day’s reading, Wolinski’s moving story will resonate with anyone who has unexpectedly lost a loved one.

A brief, affecting Gallic story of an enduring marriage that ended in senseless tragedy.

Pub Date: Feb. 7, 2017

ISBN: 978-1-5011-5489-8

Page Count: 136

Publisher: 37 Ink/Simon & Schuster

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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CRAZY BRAVE

A MEMOIR

A unique, incandescent memoir.

A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”

For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”

A unique, incandescent memoir.

Pub Date: July 9, 2012

ISBN: 978-0-393-07346-1

Page Count: 208

Publisher: Norton

Review Posted Online: April 29, 2012

Kirkus Reviews Issue: May 15, 2012

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JUST KIDS

Riveting and exquisitely crafted.

Awards & Accolades

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  • National Book Critics Circle Finalist


  • National Book Award Winner

Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.

Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.

Riveting and exquisitely crafted.

Pub Date: Jan. 19, 2010

ISBN: 978-0-06-621131-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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