A sympathetic view of Palestinians not to be mistaken for objective reporting.
An oral history of life in Gaza and the West Bank, obtained through interviews conducted over a period of nearly four years, lets a diversity of Palestinians speak their minds about their situations.
Hoke (English/Bethlehem Univ.) and Malek are journalists with Voice of Witness, a nonprofit organization dedicated to examining human crises around the world. With the aid of translators and transcribers, they recorded the voices of 50 interviewees and then edited the transcripts for clarity. Of the 16 people selected to tell their stories here, only two are Israelis, for the object is not to provide balance but to illustrate what life is like for Palestinians. Male and female, young and middle-aged, educated or not, mostly but not all middle class, these Palestinians narrate their experiences growing up and living next to Israelis or in areas where Israel controls major aspects of their lives. Some took part in the Intifadas, some spent time in prison, and some lived for years outside Palestine and then chose to move there. Some are resigned to the restrictions of their lives, while some are hopeful of a brighter future. About 50 pages of appendices give context to their personal stories. The first, “Timeline of Modern Palestine,” opens with the date 8000 B.C. and ends with 2014 but has no mention of the events of that explosive summer. Appendix III is an essay on Palestine and international law by Allegra Pacheco, the wife of one of the Palestinian interviewees, and Appendix IV is a piece by journalist Nicolas Pelham on the Gaza tunnels that focuses on their economic importance to Hamas. The oral histories that make up the bulk of the book paint a harsh picture of Israeli restrictions on the lives of Palestinians; however, failure of the lengthy appendices to discuss the necessity for such restriction—suicide bombers, rocket attacks, Hamas’ stated goal of the destruction of Israel—is a serious flaw.
A sympathetic view of Palestinians not to be mistaken for objective reporting.Pub Date: Nov. 11, 2014
ISBN: 978-1940450247
Page Count: 320
Publisher: McSweeney's/Voice of Witness
Review Posted Online: Sept. 15, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
It must be hard being right all the time, but controversial rapper and black activist Sister Souljah doesn't mind, judging from her remarkably smug, occasionally uplifting memoir. Let there be no doubt, this ``young sultry, big, brown-eyed, voluptuous, wholesome, intelligent, spiritual, ghetto girl'' has opinions. She is for belief in God, hard work, self-respect, community service, political activism, a strong family structure, and black women sharing their men in the face of a huge supply-side shortage. She is against abortion, narcotics, the welfare system, interracial dating, and homosexuality. Passionate in all things, Souljah's juxtaposition of her activism and her active hormones can produce odd results. When a man she wants turns up at a committee meeting, she recounts: ``I...set to work on how to organize Black students across the country into an African student network. With moist panties and a body that wanted to be touched...I argued that most African students were confronted by the same problems.'' Souljah's political beliefs frequently become little more than sidelines to her accounts of failed romances—indignant stories of a strong, single, sexy black heroine and the brothers who let her down. The men who fail come in all varieties (from her father to her mother's lovers and her own), but Souljah concludes that their shortcomings are the result of centuries of white racist oppression—psychological, political, cultural. Ultimately, the book reveals the psyche of a young black woman who feels she has been betrayed by too many and who trusts no one. Everyone disappoints her. After eight chapters (each named for the guilty individual in question: ``Mother,'' ``Nathan,'' ``Mona,'' etc.), a predictable pattern emerges in which Souljah's initial optimism wears off and gives way first to rationalization, then to harsh condemnation. Part fiery political diatribe, part searing sexual history, part unintentional psychological profile, Souljah throws more heat than light.
Pub Date: Feb. 1, 1995
ISBN: 0-8129-2483-5
Page Count: 320
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1994
Asante is a talented writer, but his memoir is undernourished.
A young black man’s self-destructive arc, cut short by a passion for writing.
Asante’s (It’s Bigger than Hip-Hop, 2008, etc.) memoir, based on his teenage years in inner-city Philadelphia, undoubtedly reflects the experiences of many African-American youngsters today in such cities. By age 14, the author was an inquisitive, insecure teen facing the hazards that led his beleaguered mother, a teacher, to warn him, “[t]hey are out there looking for young black boys to put in the system.” This was first driven home to Asante when his brother received a long prison sentence for statutory rape; later, his father, a proud, unyielding scholar of Afrocentrism, abruptly left under financial strain, and his mother was hospitalized after increasing emotional instability. Despite their strong influences, Asante seemed headed for jail or death on the streets. This is not unexplored territory, but the book’s strength lies in Asante’s vibrant, specific observations and, at times, the percussive prose that captures them. The author’s fluid, filmic images of black urban life feel unique and disturbing: “Fiends, as thin as crack pipes, dance—the dancing dead….Everybody’s eyes curry yellow or smog gray, dead as sunken ships.” Unfortunately, this is balanced by a familiar stance of adolescent hip-hop braggadocio (with some of that genre’s misogyny) and by narrative melodrama of gangs and drug dealing that is neatly resolved in the final chapters, when an alternative school experience finally broke through Asante’s ennui and the murderous dealers to whom he owed thousands were conveniently arrested. The author constantly breaks up the storytelling with unnecessary spacing, lyrics from (mostly) 1990s rap, excerpts from his mother’s journal, letters from his imprisoned brother, and quotations from the scholars he encountered on his intellectual walkabout in his late adolescence. Still, young readers may benefit from Asante’s message: that an embrace of books and culture can help one slough off the genuinely dangerous pathologies of urban life.
Asante is a talented writer, but his memoir is undernourished.Pub Date: Aug. 20, 2013
ISBN: 978-0-8129-9341-7
Page Count: 272
Publisher: Spiegel & Grau
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
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