Funny and exuberantly sweet.
Ben Lukin, the bike-loving boy from Ben Rides On (2013), loses something of special significance: his sketchbook.
Ben loves drawing: “He loved to draw in writing class / and also in math class.” He draws everything, including people—here, his sketchbook opens to two full pages of caricatures of his schoolmates. Davies’ cartoon line hums with energy. Ben’s eyebrows hover animatedly above his toothy grin; every page seems to tilt with the forward motion of the story. After an exhilarating bike ride home “the long way,” flying over hills and dales (his hair flowing free, though a sign for Acme helmets peeks cheekily out from the edge of town), Ben realizes he’s lost his sketchbook. That moment of loss is nicely done—Ben reaches into his backpack and comes back empty-handed; fireworks of dismay hit him. Attentive readers may notice its fall; here, an inset box shows a hand reaching to pick it up. The following double-page spread shows Ben’s search up and down the hills: Where could he have lost it? Readers may worry about Ben when he walks into his classroom and realizes that everyone is examining his drawings—of them. Yet when Mr. Upright picks up the sketchbook, “thoughtfully placed on his desk,” and leads Ben out of the classroom, the outcome turns into a moment of victory for the young artist.
Funny and exuberantly sweet. (Picture book. 4-8)Pub Date: April 7, 2015
ISBN: 978-1-59643-795-1
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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