De la Peña wonderfully expresses the impact of music on the soul, and Ramírez’s bright, expressive watercolor illustrations...
Miguel loves music and wants to be a musician more than anything, but his family prohibits him from pursuing his greatest love.
La Música, who narrates in the first person, appears at the strum of a guitar, in wedding bells, in a static-y radio, in the strains of a single violin, whirling through town, joining musicians through the plaza, rising and rising, until Miguel’s abuelita storms out of a shop and demands the musicians stop. “You’ll upset Mamá Coco!” They fumble and stumble away. La Música notices a young boy staring at the guitars in the hands of the musicians, longing for music just as she disappears. Each time she appears again, she looks for the boy and finds him, secretly watching musicians on a hidden TV in his play area, “playing” his broom, but just as she’s about to whisper her name in his ear, his family pulls him away. La Música arranges a careful series of events to help Miguel indulge in music, and the surprise ending lingers in the air like an overheard harmony. Readers don’t learn exactly why Miguel’s family has forbidden music, and though this would be puzzling in a stand-alone book, this book is a side story about the characters in Disney Pixar’s Coco. The tenderness and emotional intelligence of this story serves as a great incentive to learn more about Miguel.
De la Peña wonderfully expresses the impact of music on the soul, and Ramírez’s bright, expressive watercolor illustrations underscore the poetic prose style perfectly. ¡Que viva La Música! (Picture book. 5-8)Pub Date: Oct. 10, 2017
ISBN: 978-1-4847-8149-4
Page Count: 48
Publisher: Disney Press
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
A lovely vision for small, sensitive existentialists.
Under the desert night sky, Dad helps his child find cosmic comfort.
The vast universe has made a child feel too small despite their close family. Until, the young narrator tells us, they and their father pack their old pickup, driving through the “rubber and french fries” smell of the city and the “sweet and smoky” mountain scent to camp off-road in a remote arroyo. Together they see tiny beetle prints, jump in sand dunes, name birds, build a fire, watch the sunset, and stretch out in the truck bed. A thoughtful, small human, the child admits to being scared of “how big the universe is and how it goes on and on forever.” But equally thoughtful Dad explains that stars, beetles, birds, and even people are made of energy. Angst is not easily tamed, but snuggling and giving the constellations idiosyncratic names help, as does Mom’s back-at-home surprise: glowing stars covering the narrator’s room. In this bed under the stars, this budding philosopher finally feels “at home here in the universe.” It’s a quiet, contemplative tale that might not strike a chord with all readers but will reassure those who share the protagonist’s worries. Delicate, realistic art plays warm orange and brown hues against blues from pale to indigo, balancing (living) warmth and (interstellar) distance. The child and family are light-skinned and redheaded. (This book was reviewed digitally.)
A lovely vision for small, sensitive existentialists. (Picture book. 6-8)Pub Date: April 4, 2023
ISBN: 978-1-5362-1239-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Like a faithful teddy, sure to become a favorite for many readers.
A hug is a powerful thing.
Louis, a stuffed teddy bear, has grievances: His owner, a dark-haired kid with light-brown skin, has mistreated Louis in a variety of ways, including using the bear as a hankie, burying the toy in the sand, and subjecting him to the terrors of the washing machine. After Louis suffers the final indignity—almost being left behind on public transportation—the bear plans to make his escape. Savvy readers may surmise that Louis’ heart isn’t completely in this grand departure, as the teddy delays based on rain, cupcake-filled tea parties, and being the star of show-and-tell due to bravery during the bus incident. When the perfect moment to desert finally arrives, a last-minute hug helps Louis realize how much the kid loves and appreciates him. It’s a charming, genuinely sweet ending to a well-crafted story that leaves lots of openings for Rowan-Zoch’s boldly colored, crisp cartoon artwork to deliver a vibrant pop that will be appreciated in both large storytimes and intimate lap reads. Louis is marvelously expressive, panicking, glaring, and unexpectedly softening by turns. Caregivers and educators may see an opportunity in the story to engage in creative writing or storytelling based on the readers’ own favorite stuffed friends. Louis’ owner’s mom appears in one scene wearing a salwar kameez, suggesting the family is of South Asian heritage.
Like a faithful teddy, sure to become a favorite for many readers. (Picture book. 5-8)Pub Date: Oct. 6, 2020
ISBN: 978-1-328-49806-9
Page Count: 40
Publisher: HMH Books
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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