A gentle reminder of the genuine beauty found in life’s wonderfully imperfect moments.
In Newbery-winning author de la Peña’s latest, a young Latine boy learns to appreciate what he has.
Lucas is ecstatic when he gets a perfect score on his report on robots, but his thrill is short lived: His classmates stare when they see Lucas and his father pushing their stalled truck through the intersection, and the boy returns home to find the electricity has been shut off again. His mom heads to her shift at the diner before he can share his paper with her. Lucas falls asleep, only to be awakened by a strange light. Following it, he arrives at a seemingly perfect place. He and his robot report fit right in, but Lucas soon discovers that this world has no room for error when a boy who mysteriously looks just like him is expelled for spilling a glass of juice. Disenchanted, Lucas flees. Back at home, his family is waiting for him with words of encouragement, and Lucas realizes that however flawed his life might seem, it’s just right for him. Filled with concrete details, this charming narrative highlights the unexpected joy of imperfections and invites readers to reconsider the notion of perfection. Textured digital illustrations draw visual parallels between Lucas’ posh, suburban school and the so-called perfect world; though the boy’s urban neighborhood and apartment may look comparatively shabby, homey details imbue it with a warmth that’s lacking from the other settings.
A gentle reminder of the genuine beauty found in life’s wonderfully imperfect moments. (Picture book. 4-8)Pub Date: May 7, 2024
ISBN: 9780593325636
Page Count: 32
Publisher: Putnam
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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