An accessible account about a dark—and still too-little-known—moment in American history.

GAIJIN

AMERICAN PRISONER OF WAR

After the United States enters World War II, a half-Japanese teen and his white mother find themselves interned at the Alameda Downs Assembly Center.

Everything changes for 13-year-old Koji Miyamoto after the Japanese attack on Pearl Harbor. His schoolmates accuse him of being a “Jap spy,” and streetcars refuse to stop for him on the street. It doesn’t help that his father has returned to Japan; Koji worries that his father may be fighting for the Japanese in the war. When Koji receives a summons to a “relocation” camp, his mother, Adeline, chooses to accompany him. The living conditions at Alameda Downs are deplorable, but Koji struggles even more with his outsider status. The other camp teenagers call him gaijin, involve him in brawls and spread gossip about his mother. Inspired by the true story of Faulkner’s great-aunt, the graphic novel features gouache illustrations that deftly capture Koji’s anger and frustration when he’s rejected by his peers and treated as an “enemy alien” despite his citizenship. The simple text provides enough historical context to help young readers who may be unfamiliar with the history of Japanese-American internment to understand Koji’s story.

An accessible account about a dark—and still too-little-known—moment in American history. (author’s note, resources) (Graphic historical fiction. 9-12)

Pub Date: April 15, 2014

ISBN: 978-1-4231-3735-1

Page Count: 144

Publisher: Disney-Hyperion

Review Posted Online: March 31, 2014

Kirkus Reviews Issue: April 15, 2014

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This pitch-perfect contemporary novel gently explores the past’s repercussions on the present

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AS BRAVE AS YOU

Eleven-year-old Brooklynite Genie has “worry issues,” so when he and his older brother, Ernie, are sent to Virginia to spend a month with their estranged grandparents while their parents “try to figure it all out,” he goes into overdrive.

First, he discovers that Grandpop is blind. Next, there’s no Internet, so the questions he keeps track of in his notebook (over 400 so far) will have to go un-Googled. Then, he breaks the model truck that’s one of the only things Grandma still has of his deceased uncle. And he and Ernie will have to do chores, like picking peas and scooping dog poop. What’s behind the “nunya bidness door”? And is that a gun sticking out from Grandpop’s waistband? Reynolds’ middle-grade debut meanders like the best kind of summer vacation but never loses sense of its throughline. The richly voiced third-person narrative, tightly focused through Genie’s point of view, introduces both brothers and readers to this rural African-American community and allows them to relax and explore even as it delves into the many mysteries that so bedevil Genie, ranging from "Grits? What exactly are they?" to, heartbreakingly, “Why am I so stupid?” Reynolds gives his readers uncommonly well-developed, complex characters, especially the completely believable Genie and Grandpop, whose stubborn self-sufficiency belies his vulnerability and whose flawed love both Genie and readers will cherish.

This pitch-perfect contemporary novel gently explores the past’s repercussions on the present . (Fiction. 9-12)

Pub Date: May 3, 2016

ISBN: 978-1-4814-1590-3

Page Count: 432

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: March 30, 2016

Kirkus Reviews Issue: April 15, 2016

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A richly atmospheric page-turner—readers will eagerly anticipate the forthcoming sequel.

THE CLOCKWORK CROW

Young Seren Rhys stands on the cusp of a new life. Unfortunately for her, the train to her new life is late.

Following the death of her aunt, who saved her from her 12-year stay at the orphanage, she receives word that her godfather, Capt. Arthur Jones, will take her in. Seren spends her wait dreaming of the Jones family and their surely bustling, welcoming manor, Plas-y-Fran in Wales. An encounter with a mysterious man and his more mysterious wrapped parcel (containing the eponymous mechanical bird) leaves Seren reeling, and the mysteries multiply when she arrives at Plas-y-Fran. The place is shuttered and cold, nearly deserted but for a few fearful, oppressively unforthcoming servants. The captain and his wife are away; of their young son, Tomos, there is neither sign nor sound. With the Crow as her only, if reluctant, ally, Seren soon finds herself enmeshed in mayhem and magic that may prove lethal. In her characteristic style, Fisher crafts an elaborate fantasy from deceptively simple language. Seren is a sharp, saucy narrator whose constant puzzlement at others’ consternation over her impertinence provides running amusement. Supporting characters are fascinating if ambiguous players, not so much poorly drawn as poorly revealed, perhaps casualties of the quick pace. The deadened manor, however, provides the perfect backdrop for preternatural forces. Characters are presumed white.

A richly atmospheric page-turner—readers will eagerly anticipate the forthcoming sequel. (Fantasy. 9-12)

Pub Date: Sept. 8, 2020

ISBN: 978-1-5362-1491-8

Page Count: 208

Publisher: Walker US/Candlewick

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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