Want to spend a few hours with characters who are truly mad, bad, and dangerous to know? Here’s your chance.
And now for something completely apocalyptic in this standalone from the creator of Tess Grey and Po Villere.
Back in 1999, Nate Walker was one of the lucky few Children of Hamor to be rescued from Weyland Berith’s abusive cult by FBI agent Milo Turrell, who died in the process. When someone starts torturing and killing present-day Cumbrian locals in ways clearly reminiscent of Berith’s cult, Nate, reborn in the U.K. as Nate Freeman, emerges from his secluded position as a woodland warden and reaches out to DCI Grant Openshaw, his old boss at London’s Metropolitan Police, to alert him of the deadly affinities. Despite his enduring trauma over the death of Jenny Onatade, whose abusive husband stabbed her moments before Nate could shoot him dead, Nate’s eager to sign on as a consultant to the National Crime Agency task force that includes Openshaw, DS Kylie McMahon of the Greater Manchester Police, and Dr. Emily Prince, an expert on cults at the University of Newcastle upon Tyne. He doesn’t anticipate that Openshaw’s number one suspect will be Will Walker, his own kid brother, whose rescue from the Children of Hamor kicked off a long string of activity that’s attracted police attention before. Hilton provides so much background information about Berith’s nefarious doings that fans of cults will be in their element. The plot is more pared down: Berith’s people strike at innocents; Will Walker is arrested and escapes; Emily Prince is kidnapped; Nate goes after her, looking to exchange himself for her; members of the task force go after him; much blood is spilled.
Want to spend a few hours with characters who are truly mad, bad, and dangerous to know? Here’s your chance.Pub Date: July 2, 2024
ISBN: 9781448310845
Page Count: 240
Publisher: Severn House
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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