How do organisms whose behavior is apparently determined by ``selfish genes'' become social beings, let alone altruists and saints? Ridley, former science editor of the Economist, looks to the growing field of evolutionary psychology for answers. This new discipline draws on insights from anthropology, economics, and politics, as well as on the evolutionary trends the author explored in The Red Queen: Sex and the Evolution of Human Nature (1994). Other organisms besides humans have learned to cooperate. The social insects have long been taken as models for human society; the division of labor they exhibit is one of the key advantages of social living. Vampire bats nest in large groups, and it is common for a successful hunter to share its meal with a neighbor, in hopes that the favor will be returned at a later date. This discovery leads to a digression on the famous ``prisoner's dilemma'' of game theory; the first studies seemed to show that the selfish player invariably wins. It now appears that a cooperative player with a ``tit for tat'' strategy will outlast the purely selfish one. Communal hunting raises interesting issues, too. Surplus meat is often traded for sex with an attractive female neighbor. Early modern humans so effectively hunted large animals that many—the mammoth, for example—became extinct. Another negative effect of large-scale cooperation is war. It is evidently difficult even for highly sophisticated social beings to abandon the notion that only their own tribe is really human and that others must be exterminated. The other side of the coin is trade, which depends on mutual trust. ``Trust is as vital a form of social capital as money is a form of actual capital,'' Ridley argues in a concluding chapter in which he attempts to draw lessons for the modern political arena. A provocative look at some of the central questions about what makes us human; strongly recommended.
Pub Date: April 1, 1997
ISBN: 0-670-86357-2
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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