The best news this book delivers is that we’ll likely be seeing more from its vivid cast.
Be warned: This is a follow-up to Lovecraft Country, the 2016 novel, not the HBO adaptation, so what you saw on TV won’t help much here. But there’s still outrageous trickery, sharp period detail, and chilling perils.
The year 1957 finds Chicago’s roving Turner and Dandridge families once again pursued by and in pursuit of mystic forces, some of which mean to do them serious harm. Atticus Turner and his father, Montrose, are in Virginia looking for evidence of their Black slave ancestors when they’re suddenly under attack by a White antagonist they’d previously faced several hundred miles north in Massachusetts. Meanwhile, Hippolyta Berry, Atticus’ aunt and the most scientifically minded family member, is way out west in Las Vegas with her 15-year-old son, Horace, and good friend Letitia Dandridge, ostensibly to gather research for her husband George’s The Safe Negro Travel Guide while also meeting with a sinister pawnbroker who carries the keys to a device able to transport people from Earth to any far-flung place in the galaxy. Meanwhile, George Berry, who has been diagnosed with terminal cancer, makes a Faustian bargain with the ghost of Hiram Winthrop, the brilliant, malevolent scientist from Lovecraft Country who promises to provide George with a cure if George can find a cadaver for Winthrop to—what is the word?—reanimate. And then there’s Ruby Dandridge, Letitia’s sister, still leading a double life as a redheaded White woman named Hillary Hyde, whose supply of potions enabling her transformation is running dangerously low. And those are just some of the complications of what now seems an ongoing series of phantasmagoric adventures of these intrepid warriors fighting a two-front battle in mid-20th century America against White supremacy and dark magic. Where its predecessor was constructed of separate stories focusing on different family members, this book operates with more interwoven narratives that Ruff manages to yoke together into one ripping yarn with shocks and surprises at every turn. This sequel may lack some of the demented grandeur that the TV series cheekily borrowed from its namesake, but it’s still lots of fun—and, at times, historically enlightening.
The best news this book delivers is that we’ll likely be seeing more from its vivid cast.Pub Date: Feb. 21, 2023
ISBN: 978-0-063-25689-7
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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