The best news this book delivers is that we’ll likely be seeing more from its vivid cast.
Be warned: This is a follow-up to Lovecraft Country, the 2016 novel, not the HBO adaptation, so what you saw on TV won’t help much here. But there’s still outrageous trickery, sharp period detail, and chilling perils.
The year 1957 finds Chicago’s roving Turner and Dandridge families once again pursued by and in pursuit of mystic forces, some of which mean to do them serious harm. Atticus Turner and his father, Montrose, are in Virginia looking for evidence of their Black slave ancestors when they’re suddenly under attack by a White antagonist they’d previously faced several hundred miles north in Massachusetts. Meanwhile, Hippolyta Berry, Atticus’ aunt and the most scientifically minded family member, is way out west in Las Vegas with her 15-year-old son, Horace, and good friend Letitia Dandridge, ostensibly to gather research for her husband George’s The Safe Negro Travel Guide while also meeting with a sinister pawnbroker who carries the keys to a device able to transport people from Earth to any far-flung place in the galaxy. Meanwhile, George Berry, who has been diagnosed with terminal cancer, makes a Faustian bargain with the ghost of Hiram Winthrop, the brilliant, malevolent scientist from Lovecraft Country who promises to provide George with a cure if George can find a cadaver for Winthrop to—what is the word?—reanimate. And then there’s Ruby Dandridge, Letitia’s sister, still leading a double life as a redheaded White woman named Hillary Hyde, whose supply of potions enabling her transformation is running dangerously low. And those are just some of the complications of what now seems an ongoing series of phantasmagoric adventures of these intrepid warriors fighting a two-front battle in mid-20th century America against White supremacy and dark magic. Where its predecessor was constructed of separate stories focusing on different family members, this book operates with more interwoven narratives that Ruff manages to yoke together into one ripping yarn with shocks and surprises at every turn. This sequel may lack some of the demented grandeur that the TV series cheekily borrowed from its namesake, but it’s still lots of fun—and, at times, historically enlightening.
The best news this book delivers is that we’ll likely be seeing more from its vivid cast.Pub Date: Feb. 21, 2023
ISBN: 978-0-063-25689-7
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
A fresh, often funny, always poignant take on the coming-of-age novel.
After a loss, a young British woman from a Ghanaian family reassesses her responsibilities.
Her name is Maddie, but the young protagonist in George’s engaging coming-of-age novel has always been known to her family as Maame, meaning woman. On the surface, this nickname is praise for Maddie’s reliability. Though she’s only 25, she works full time at a London publishing house and cares for her father, who’s in the late stages of Parkinson’s disease. Maddie’s older brother, James, has little interest in helping out, and their mother is living in Ghana and running the business she inherited from her own father. When she needs money, she always calls Maddie, who shoulders these expectations and burdens without complaint, never telling her friends about her frustrations: “We’re Ghanaian, so we do things differently” is an idea that's ingrained in her. Her only confidant is Google, to whom she types desperate questions and gets only moderately helpful responses. (Google does not truly understand the demands of a religious yet remote African-born mother.) But when Maddie loses her job and tragedy strikes, she begins to question the limits of family duty and wonders what sort of life she can create for herself. With a light but firm touch, George illustrates the casual racism a young Black woman can face in the British (or American) workplace and how cultural barriers can stand in the way of aspects of contemporary life such as understanding and treating depression. She examines Maddie’s awkward steps toward adulthood and its messy stew of responsibility, love, and sex with insight and compassion. The key to writing a memorable bildungsroman is creating an unforgettable character, and George has fashioned an appealing hero here: You can’t help but root for Maddie’s emancipation. Funny, awkward, and sometimes painful, her blossoming is a real delight to witness.
A fresh, often funny, always poignant take on the coming-of-age novel.Pub Date: Jan. 31, 2023
ISBN: 978-1-2502-8252-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
PERSPECTIVES
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
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