by Matthew Burgess ; illustrated by Josh Cochran ‧ RELEASE DATE: Aug. 29, 2023
A nuanced celebration of the lasting joy that intergenerational friendship inspires.
A child creates and sends a letter to a beloved grandmother.
How does one commune with the dearly departed? Although listeners won’t know the nature of young Sylvester’s grandmother’s absence until they piece together context clues, this is the matter the child is working out. The opening depicts Sylvester drawing a picture that turns into scenes showing the heights and depths necessary to relay the message, because “Some letters can’t be delivered in the usual way.” The brown-skinned protagonist makes breakfast to energize sky divers who “form a human flower in midair,” then parachute down to a train making its way through a jungle. Following the river to the “rare pink dolphins,” Sylvester places the letter in a toy airplane and launches it; from there, it will “leap to meet the butterflies,” the ultimate carriers. Poet Burgess and artist Cochran—the team that produced Drawing on Walls (2020)—expertly capture an imaginative child’s perspective and logic with lovely, alliterative language and wordless spreads rendered in brilliant colors and markerlike scrawls. A marvelous double gatefold portrays the entire journey. Other ways of connecting include eating lunchtime pickles and learning to pickle—since G.G. (Greatest Grandma) was the “most pickle-loving person I know”—and a miraculous moment when a butterfly lands on Sylvester’s nose. (This book was reviewed digitally.)
A nuanced celebration of the lasting joy that intergenerational friendship inspires. (Picture book. 4-7)Pub Date: Aug. 29, 2023
ISBN: 9781592703807
Page Count: 52
Publisher: Enchanted Lion Books
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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developed by Ashley Spires ; adapted by Naseem Hrab ; illustrated by Mike Shiell
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