Artful social parody in a towering hypercontemporary mode, superbly scored for a chorus of wind-up cuckoos bleakly coming...
Fearlessly wild and weird debut brain fragments from the mind of Derby, creative futurologist.
Derby’s 20 dandies have appeared in such deliriously sophisticated journals as Failbetter, Fence, Pindeldyboz, 3rd Bed, and 5 Trope, not to mention Conjunctions and American Journal of Print, some of which are online literary pit stops wherein Derby has gathered emotionally hyperbolic fans by the dozens who delight in heavy-water stories and in sucking the creamsicle of death. Heavy-water stories sink to the bottom and allow lighter works to rise and shimmer. After all, these were the Super Flat Times—“years that did not seem to pass so much as inflate crazily almost to the bursting point, break, and collapse, withered and damp, only to be replaced by another weepy, indistinguishable abrasion. That we survived at all is a monument in itself, but we will soon pass, and the parks, too, will gradually lose their meaning, as each successive generation of children wears the concrete structures down to pillowy stumps with their play.” Here are field-tested fragments from the store in the Hall of Memories describing the whole history of the Super Flat Times, collected especially for those who have been fortunate enough to have that whole history “swept from your head by the memory surgeons, so that all you remember is sitting up in the expansive Recovery Hall on Liberation Day with a bandage on your forehead and a sick taste in your mouth . . . ” We’re dragging the Sound Gun by hand. It has four settings: Make Scared. Hurt. Very Hurt. And Make Dead, which ruptures the enemy’s bowels. After the Food Ban we eat only meat from the Meat Tower. Even apples, corn, chocolate are prepared from various cured meats. The fortune cookie with my Chinese meal says only “Sorry.”
Artful social parody in a towering hypercontemporary mode, superbly scored for a chorus of wind-up cuckoos bleakly coming unwound.Pub Date: May 5, 2003
ISBN: 0-316-73857-3
Page Count: 192
Publisher: Back Bay/Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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