THE CLOCKWORK THREE

Three poor children leading separate lives find friendship and marvel in a late-19th-century alternative-American city. Orphaned Giuseppe was sold from Italy to a brutal, Fagin-like padrone, who runs a ring of buskers. Frederick, also an orphan, is apprenticed to a kindly clockmaker but is haunted by his time in an orphanage. Hannah's father has been felled by a stroke, and it's up to Hannah to support the family. The third-person-limited narrative shifts from child to child, resulting in an Altman-esque opening. Giuseppe finds a magical violin; Frederick toils to build an automaton; Hannah finds a patron at the hotel where she works. Their three paths intersect, and they become friends, each trying to help the others and running afoul of various adversaries in the process. Kirby seems to be drawing on both mysticism and steampunk to drive his story, and neither element really settles into coherence. The kids are likable, but, oddly, they become less interesting once their stories intertwine, and the outcome is too obvious. An interesting concept, but it needed a little more time to come together. (Steampunk. 9-14)

Pub Date: Oct. 1, 2010

ISBN: 978-0-545-20337-1

Page Count: 400

Publisher: Scholastic

Review Posted Online: Sept. 15, 2010

Kirkus Reviews Issue: Oct. 1, 2010

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A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes.

THE TOWER OF NERO

From the Trials of Apollo series , Vol. 5

In this tumultuous series closer, Apollo, transformed into a mortal teenager, takes on both a deified emperor in a luxurious Manhattan high-rise and an older adversary.

Lester/Apollo’s coast-to-coast quest reaches its climactic stage as, with help from both eager squads of fledgling demigods from Camp Half-Blood and reluctant allies from realms deep below New York, he invades the palatial lair of Emperor Nero—followed by a solo bout with another foe from a past struggle. Riordan lays on the transformation of the heedless, arrogant sun god to a repentant lover of his long-neglected semidivine offspring and of humanity in general, which has served as the series’ binding theme, thickly enough to have his humbled narrator even apologizing (twice!) to his underwear for having to change it periodically. Still, the author delivers a fast, action-driven plot with high stakes, lots of fighting, and occasional splashes of gore brightened by banter and silly bits, so readers aren’t likely to mind all the hand-wringing. He also leaves any real-life parallels to the slick, megalomaniacal, emotionally abusive Nero entirely up to readers to discern and dishes out just deserts all round, neatly tying up loose ends in a set of closing vignettes. The supporting cast is predominantly White, with passing mention of diverse representation.

A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes. (glossary) (Fantasy. 10-14)

Pub Date: Oct. 6, 2020

ISBN: 978-1-4847-4645-5

Page Count: 416

Publisher: Disney-Hyperion

Review Posted Online: Oct. 22, 2020

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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