by Matthew Klein ‧ RELEASE DATE: Sept. 1, 2011
A successful currency speculator under pressure leaps out of the frying pan and into sci-fi territory in this torrid, over-plotted tale.
Palo Alto hedge fund manager Timothy Van Bender has it all: the understanding wife, the Yale connections, the gorgeous secretary, the BMW. The first sign that he’s losing it is emphatic enough to have ended most novels. A sudden surge in the price of the yen, against which the Osiris Fund II has bet heavily, leaves the fund short a cool $24 million. Since Timothy didn’t get where he is by hesitating, he instructs his numbers guy, Jay (the Kid) Strauss, to double down on his original bet, in effect betting the firm that the yen will drop. At first things go pretty much as you’d expect. The yen doesn’t drop enough. Leading Osiris investor Pinky Dewer demands to pull his money out. Timothy sweats bullets. But then his problems take a bizarre turn. His wife Katherine telephones him from Big Sur a few days after she’s celebrated their anniversary by asking him for $150,000 to say that she’s terminally ill and plans to take her life. When Det. Ned Neiderhoffer, of the Palo Alto PD, investigates, he finds every indication that Katherine went through with her plan—except for a body. Sunk in grief but still dimly aware that the moment of his complete financial ruin is rapidly approaching, Timothy is ill-equipped for the news that comes when he traces the missing $150,000 to a mysterious Dr. Clarence Ho: Days before she died, Katherine made arrangements to have Dr. Ho copy her brain. Timothy can communicate with her via keyboard, but what she really wants is for her consciousness to be implanted in a new body like that of Tricia Fountain, his impossibly beautiful secretary. From that point on, complications snowball in ways guaranteed to keep you up all night. Klein (Con Ed, 2007) lards this preposterous tale with so many telling details about Timothy’s lifestyle and psychology that you’ll be swept up right along with him.
Pub Date: Sept. 1, 2011
ISBN: 978-0-7278-8051-2
Page Count: 304
Publisher: Severn House
Review Posted Online: Aug. 1, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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