Students of martial arts, film history, and the 1970s alike will find much to enjoy in Polly’s homage.
Spirited celebration of the life of “the Patron Saint of Kung Fu,” a stalwart of pop culture whose career is due for a revival.
Growing up in Hong Kong, Bruce Lee (1940-1973) wasn’t much of a student. As Polly (Tapped Out: Rear Naked Chokes, the Octagon, and the Last Emperor: An Odyssey in Mixed Martial Arts, 2011, etc.) writes, he was good in English and pretty poor in everything else; he was held back a couple of grades and known as a schoolyard bully—though the kind that “was a gang leader, offering protection to those willing to follow him.” He would go on to battle a string of sadists and miscreants in films that would become standards of early-1970s popular culture. First, however, he had to set up shop as a martial arts master with a burning mission to spread Wing Chun and other forms of Chinese fighting arts to America, always with his own stamp on them, always willing to fight to establish his credentials. “I would like to let everybody know,” Lee announced in 1963, “that any time my Chinatown brothers want to research my Wing Chun, they are welcome to find me at my school in Oakland.” Meaning, Polly speculates, that Lee was willing to take on all of San Francisco's Chinatown and its myriad masters to make his mark. His martyrdom was assured by dying young just before his signature film, Enter the Dragon, entered the market in 1973, but even before then, the charismatic Lee had a huge following. Polly recounts a trip to Goa with Green Hornet star James Coburn in which everyone knew who Lee was, but not Coburn, and later moments in which he outshone even the great Steve McQueen—which is exactly as Lee swore it would be. Enter the Dragon also fulfilled Lee’s other promise: that he would become, as the author writes in rather outdated language, “the first and highest paid Oriental superstar in the United States.”
Students of martial arts, film history, and the 1970s alike will find much to enjoy in Polly’s homage.Pub Date: June 5, 2018
ISBN: 978-1-5011-8762-9
Page Count: 624
Publisher: Simon & Schuster
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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