This adventure offers an entertaining, if occasionally uneven, mix of the serious and the silly.
A screenwriter follows a former employee to a strange resort in this comedic crime novel set in California.
Rowland follows up his previous work, Cinematic Immunity (2020), with another caper starring Sam “Samson” Agonistes. Sam is a “fifty-something bald guy” who formerly worked as a grip in Hollywood and is now a screenwriter. He runs Samson Productions with the activist-turned-screenwriter Petunia “Una” Biggars. Samson Productions is also the employer of an assistant named Ja’k. Ja’k is not very good at his job. Yet when Ja’k declares that he is quitting, Sam and Una feel that something is amiss. The suspicion proves correct when Sam follows Ja’k all the way from Los Angeles to a desolate place past San Diego called Rancho de Los Niños Perdidos. Though it claims to be a resort of sorts, Sam, whose knowledge of cinema includes a number of film noirs, can tell that all is not well. To make matters worse, Sam’s estranged son, Atticus, is involved. Atticus is the opposite of his Prius-driving, multiculturally inclined father. Atticus is a blatant racist with designs on a career in politics. He also tried to kill his father once. Can Sam figure out what is going on at Rancho de Los Niños Perdidos? Even better, can he lend a hand in stopping it? Although Sam’s trials involve some complicated family issues (which, aside from his son, include a veterinarian daughter and a brother-in-law who calls himself Guppy), events progress quickly. For a narrative that includes torture and some other difficult matters, it all occurs with a flair for the comical. Sam is the type of California driver who keeps a blow-up doll in his vehicle so he can use the carpool lane. Rather than be embarrassed by taking advantage of the loophole, he talks to his doll as if she were a real person. He even calls her Wifey. In other episodes, the dark kookiness can become too fantastical. A pivotal moment involves a normally friendly dog attacking a would-be rapist. The scene is neither particularly funny nor particularly believable. Nevertheless, Rowland’s engaging story remains tense throughout. Sam may be laughable at times, but he ends up dealing with some sufficiently dire situations.
This adventure offers an entertaining, if occasionally uneven, mix of the serious and the silly.Pub Date: N/A
ISBN: N/A
Page Count: 495
Publisher: Manuscript
Review Posted Online: June 14, 2021
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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