This adventure offers an entertaining, if occasionally uneven, mix of the serious and the silly.
A screenwriter follows a former employee to a strange resort in this comedic crime novel set in California.
Rowland follows up his previous work, Cinematic Immunity (2020), with another caper starring Sam “Samson” Agonistes. Sam is a “fifty-something bald guy” who formerly worked as a grip in Hollywood and is now a screenwriter. He runs Samson Productions with the activist-turned-screenwriter Petunia “Una” Biggars. Samson Productions is also the employer of an assistant named Ja’k. Ja’k is not very good at his job. Yet when Ja’k declares that he is quitting, Sam and Una feel that something is amiss. The suspicion proves correct when Sam follows Ja’k all the way from Los Angeles to a desolate place past San Diego called Rancho de Los Niños Perdidos. Though it claims to be a resort of sorts, Sam, whose knowledge of cinema includes a number of film noirs, can tell that all is not well. To make matters worse, Sam’s estranged son, Atticus, is involved. Atticus is the opposite of his Prius-driving, multiculturally inclined father. Atticus is a blatant racist with designs on a career in politics. He also tried to kill his father once. Can Sam figure out what is going on at Rancho de Los Niños Perdidos? Even better, can he lend a hand in stopping it? Although Sam’s trials involve some complicated family issues (which, aside from his son, include a veterinarian daughter and a brother-in-law who calls himself Guppy), events progress quickly. For a narrative that includes torture and some other difficult matters, it all occurs with a flair for the comical. Sam is the type of California driver who keeps a blow-up doll in his vehicle so he can use the carpool lane. Rather than be embarrassed by taking advantage of the loophole, he talks to his doll as if she were a real person. He even calls her Wifey. In other episodes, the dark kookiness can become too fantastical. A pivotal moment involves a normally friendly dog attacking a would-be rapist. The scene is neither particularly funny nor particularly believable. Nevertheless, Rowland’s engaging story remains tense throughout. Sam may be laughable at times, but he ends up dealing with some sufficiently dire situations.
This adventure offers an entertaining, if occasionally uneven, mix of the serious and the silly.Pub Date: N/A
ISBN: N/A
Page Count: 495
Publisher: Manuscript
Review Posted Online: June 14, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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