An intriguing, challenging crash course in Zen Buddhism.
A notated explication of an ancient Zen Buddhist text.
Debut author Sullivan explains that the work at hand is a translation of “a thousand-year-old collection of stories, commentaries, and poetry from the classical age of Zen in China.” There are 100 “cases” contained within, and each is accompanied by an in-depth examination. We’re warned outright that the actions here may often seem bizarre. This proves to be true immediately. The first case, “The Emperor Asks Bodhidharma,” is no more than a page long. Emperor Wu of Liang is puzzled by an encounter with a famous monk named Bodhidharma. What is it supposed to mean? The author points out that, as with many of the stories to follow, it may “seem appealing but resist[s] understanding.” Other entries include everything from someone being hit with meditation cushions to a master dancing while holding a rice bucket. A question is posed: “What is Buddha?” The response is “Three pounds of flax.” The author draws on years of his experiences with Zen Buddhism (such as attempting to understand his sometimes-perplexing Zen Master Yangil Sunim) to provide context. Yet, clear-cut answers aren’t the point: “Something wonderful can happen if you have given up on understanding anything.” Of course, this approach doesn’t lend itself to easy comprehension. Paradoxes abound. Obscure (to the layman) Buddhist figures (e.g., Jetsun Milarepa) are discussed. Yet the work stands out with the personal nature of the commentaries. The author shares the cases’ common interpretations along with his own. Many insights have grown from Sullivan’s years of grappling with such material, and he notes, “subtle feelings reveal illumination.” Though these illuminations may be difficult to see initially, the reader is left with an understanding of an ageless, beguiling collection.
An intriguing, challenging crash course in Zen Buddhism.Pub Date: Nov. 2, 2021
ISBN: 978-1-94-862649-1
Page Count: 400
Publisher: Monkfish Book Publishing
Review Posted Online: July 1, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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