An intriguingly dark, twisty story and eccentric characters make this book a standout.

MIDNIGHT AT THE BRIGHT IDEAS BOOKSTORE

A woman must revisit a 20-year-old tragedy after a young man commits suicide in the bookstore where she works.

Lydia Smith loves her job at the Bright Ideas bookstore in Denver, puttering among the shelves and hovering over her gentle BookFrogs, the wanderers and dreamers who spend their days among the stacks. When one of her BookFrogs, Joey Molina, hangs himself in the store, she’s devastated and then shocked when she learns he’s bequeathed his meager possessions to her. When she discovers that he’s left messages to her in the pages of his books, she’s puzzled and begins trying to piece together his last days with the help of his friend Lyle. The reappearance of her childhood friend Raj Patel soon puts Joey on the back burner, however, as questions about her estranged father come to light. It all points back to the Hammerman, who, while Lydia was on a sleepover as a child, brutally killed her friend and her friend’s family with a hammer, leaving Lydia alive, hiding under the sink. The Hammerman was never caught, and Lydia seeks answers from the now-retired detective who handled the case, but she may not want to hear what he has to say. Turns out he always suspected her father was the killer but was stopped from pursuing that path, even in the face of some compelling evidence, and he’s never let go of his suspicion. After all, why did the killer let Lydia live after killing a 10-year-old girl and her parents, and could Joey somehow be connected? Debut author Sullivan presents a nicely paced tale about a horrifying incident with a woman at its core who must put aside her ordered life to find out what really happened all those years ago, where the truth, in the end, may be stranger than fiction.

An intriguingly dark, twisty story and eccentric characters make this book a standout.

Pub Date: June 13, 2017

ISBN: 978-1-5011-1684-1

Page Count: 336

Publisher: Scribner

Review Posted Online: March 21, 2017

Kirkus Reviews Issue: April 1, 2017

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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