An exceptional middle-grade read packed with giggles for young sleuths who love to explore a little off the beaten path.
Fourth-grader Moxie McCoy must solve the crime of the century when the school mascot goes missing.
She’s aptly named, but the spunky white girl prefers to go by Slim while she’s on a case. When the stuffed owl mascot, Eddie, is taken from a display case, the entire school is in an uproar. Moxie, whose entomologist mother has named an insect after her, takes it upon herself to find the culprit. Like any good detective with “high standards and excellent taste,” she narrows down her suspects by process of elimination. Trouble is, Moxie is a tad impulsive and has a tendency to jump to conclusions. With some behind-the-scenes help from her little brother, Milton, and a lot of patience from the school principal, illustrated as a black woman, Moxie comes to examine what she did right and where she might need improvement. More Pippi Longstocking than Nancy Drew with her sassy gumption, unflappable enthusiasm, and wild imagination, Moxie has a flair for the frequent offbeat declaration: “I am fairly certain that a dilemma is a kind of ferocious desert animal. I am surprised that Principal Jones thinks I might have one.” Each page is ebulliently decorated with hurly-burly fonts and rambunctious graphics. Questions to readers in the form of an “official debrief” prompt critical thinking about Moxie’s narrative.
An exceptional middle-grade read packed with giggles for young sleuths who love to explore a little off the beaten path. (glossary) (Fiction. 8-12)Pub Date: Nov. 7, 2017
ISBN: 978-1-250-09852-8
Page Count: 336
Publisher: Imprint
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Skillfully written with well-drawn characters.
Introspective California learns about herself and her family with the help of two unlikely ghosts.
It isn’t easy for 11-year-old California, being shifted from one aunt to another after her father leaves her to go work in Alaska. When she finally arrives at Aunt Monica’s house in West Bloomfield, Michigan, she encounters a ghost dog and the ghost of her great-great-great-aunt Eleanor. As friendly spirits, not evil ghouls, these two ghosts become a regular presence, teaching California about love, friendship, and, in the case of Eleanor, even how to write letters like a proper lady. Urban deftly tackles loss, longing, loneliness, and neglect through California’s first-person narrative peppered with her many letters. Some of Urban’s descriptions of life with ghosts are stellar, evoking vivid images. However, aside from a mention of a garden in June, there isn’t much of a sense of physical atmosphere or setting. Similarly, the text lacks physical descriptions of characters, pointing to a White default, although California’s fifth-grade teacher has a Tibetan given name for her surname. That said, Urban explores California’s growth so delicately, unraveling each truth: the pain of losing her mother four years earlier, her father’s drinking and instability, and the realization that she is worthy of being loved and has people in her life who cherish her.
Skillfully written with well-drawn characters. (Fiction. 8-12)Pub Date: April 6, 2021
ISBN: 978-1-5344-7880-0
Page Count: 224
Publisher: Atheneum
Review Posted Online: Jan. 25, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A promising plot that plays Indian; readers looking for #ownvoices should paddle their pumpkins on.
A 12-year-old girl hopes to turn last year’s pumpkin-boat–race loss into a win, but revenge might ruin a friendship forever.
Billie and Sam’s friendship ended last summer when Sam beat her in Madeline Island’s annual pumpkin race. According to Billie, Sam cheated, and this summer he’ll pay. From pumpkin planting to race-day harvest, Billie’s bitterness grows. First she refuses to accept his help, then she ignores him completely. Billie’s grandmother admonishes her for this shameful behavior, but it takes a more serious event to lift Billie to forgiveness. The plot offers an appealing premise, and the story’s division into four summer-month sections makes for a quick read. Unfortunately, the cultural milieu comes across as unrooted. Billie’s “half Ojibwe from [her] mom’s side” with “red hair and green eyes” from her father’s Irish side, which is completely believable, and some Ojibwe words (italicized) and cultural touches are included. However, such phrases as “running wild” and “wild dancing” read as woefully unaware, and attempts at cultural scenes either surface skim in a manner reminiscent of diversity box-checking or are described through a naïve awe that reads as a white gaze. Additionally, attributing the Blackfoot word “Sinopa” as an Ojibwe name and incorrectly writing that “nitsidigo’i” is an Ojibwe word for “kneeldown bread” when both the word and the bread are Diné (a culturally and linguistically unrelated people 1,600-plus miles away) amplify readers’ sense of the author’s unfamiliarity with Native peoples.
A promising plot that plays Indian; readers looking for #ownvoices should paddle their pumpkins on. (Fiction. 8-12)Pub Date: May 21, 2019
ISBN: 978-1-5247-6733-4
Page Count: 192
Publisher: Wendy Lamb/Random
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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