A riveting, vividly realized character study of obsession, addiction, and psychosis.
A history-spanning novel chronicles the life of a disturbed British man with a sordid familial past.
Prolific European author Tree’s tale begins in the 1930s as young Malcolm Lowry is being hurriedly sent abroad from Liverpool aboard a ship based on orders from his father, cotton broker A.O. Lowry. The directives are being carried out by A.O.’s accountant, Mr. Patrick. Malcolm has been an alcoholic since his teen years, exhibiting violent tendencies against himself and his relatives. Fearing for his family’s safety, A.O. ships his son off to far-flung points throughout Europe, America, Mexico, and Canada with instructions for Mr. Patrick to send a monthly stipend and a brief correspondence to Malcolm. This missive exchange evolves into a regular conversation between the two as they trade opinions and perspectives. But it also slowly reveals the depths of Malcolm’s mental illness and the extremes of his addiction. Fast-forward decades: Mr. Patrick’s grandson, a feisty, increasingly shifty lad, is apprehended by police in a London park with a satchel of explosives and a fistful of paper. He is also carrying 10 letters exchanged between Malcolm, who would become a notable English novelist and poet, and Mr. Patrick. Through a masterfully clever construction, the plot incrementally reveals the nefarious motivations behind the grandson’s dangerous park journey. Police and psychiatric interrogations ensue as the letters are read and the intercourse between Malcolm, the self-described “perishing disappointment who has betrayed the trust placed in me by my family,” and Mr. Patrick charts the traveler’s trips across Europe, a spontaneous marriage, and a relocation to New York City and beyond. Tree’s narrative gains momentum as the personality of the mentally unstable would-be bomber unfolds as the letters are read. The author skillfully infuses his villain with deadly obsessions: pornography, the atrocities of World War II, and horrific fantasies of rape and serial murder. Inspired by actual events (Tree’s grandfather and Malcolm Lowry had actually exchanged correspondence), the author conjures graphic images from the extremist’s grisly imagination that aren’t for the faint of heart. Readers able to stomach the man’s psychotic killing fantasies will discover a story richly embedded with plot twists and, as evidenced in Tree’s previous novel, Snug (2013), crystal-clear, if unsettling, characterizations.
A riveting, vividly realized character study of obsession, addiction, and psychosis.Pub Date: Oct. 14, 2021
ISBN: 978-84-09-29010-9
Page Count: 246
Publisher: England-Is-A-Bitch Productions
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: April 15, 2022
Review Program: Kirkus Indie
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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