A riveting, vividly realized character study of obsession, addiction, and psychosis.
A history-spanning novel chronicles the life of a disturbed British man with a sordid familial past.
Prolific European author Tree’s tale begins in the 1930s as young Malcolm Lowry is being hurriedly sent abroad from Liverpool aboard a ship based on orders from his father, cotton broker A.O. Lowry. The directives are being carried out by A.O.’s accountant, Mr. Patrick. Malcolm has been an alcoholic since his teen years, exhibiting violent tendencies against himself and his relatives. Fearing for his family’s safety, A.O. ships his son off to far-flung points throughout Europe, America, Mexico, and Canada with instructions for Mr. Patrick to send a monthly stipend and a brief correspondence to Malcolm. This missive exchange evolves into a regular conversation between the two as they trade opinions and perspectives. But it also slowly reveals the depths of Malcolm’s mental illness and the extremes of his addiction. Fast-forward decades: Mr. Patrick’s grandson, a feisty, increasingly shifty lad, is apprehended by police in a London park with a satchel of explosives and a fistful of paper. He is also carrying 10 letters exchanged between Malcolm, who would become a notable English novelist and poet, and Mr. Patrick. Through a masterfully clever construction, the plot incrementally reveals the nefarious motivations behind the grandson’s dangerous park journey. Police and psychiatric interrogations ensue as the letters are read and the intercourse between Malcolm, the self-described “perishing disappointment who has betrayed the trust placed in me by my family,” and Mr. Patrick charts the traveler’s trips across Europe, a spontaneous marriage, and a relocation to New York City and beyond. Tree’s narrative gains momentum as the personality of the mentally unstable would-be bomber unfolds as the letters are read. The author skillfully infuses his villain with deadly obsessions: pornography, the atrocities of World War II, and horrific fantasies of rape and serial murder. Inspired by actual events (Tree’s grandfather and Malcolm Lowry had actually exchanged correspondence), the author conjures graphic images from the extremist’s grisly imagination that aren’t for the faint of heart. Readers able to stomach the man’s psychotic killing fantasies will discover a story richly embedded with plot twists and, as evidenced in Tree’s previous novel, Snug (2013), crystal-clear, if unsettling, characterizations.
A riveting, vividly realized character study of obsession, addiction, and psychosis.Pub Date: Oct. 14, 2021
ISBN: 978-84-09-29010-9
Page Count: 246
Publisher: England-Is-A-Bitch Productions
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: April 15, 2022
Review Program: Kirkus Indie
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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