A warm and remarkably funny book about death and caregiving that will make readers laugh through their tears.
A woman takes care of her dying best friend while handling her own messy life.
Edith and Ashley have been best friends for most of their lives. They’ve been there for each other during their greatest joys and struggles—marriages, infertility, and raising children. Now, though, Ash has to support Edi through their greatest, most heartbreaking challenge yet—Edi’s death. When Edi’s ovarian cancer progresses to the point that treatment is no longer an option, they decide she should stay at a hospice near Ash’s home in Massachusetts, leaving Edi's husband and young son back in Brooklyn. Ash spends most of her time in Edi’s hospice room, bringing Edi the food she requests, talking to the nurses, and handling an environment that is both horrifically bleak and hilariously odd—Fiddler on the Roof blares from one resident’s room every afternoon, as if it’s the soundtrack to everyone’s death. But as Ash takes care of Edi, she also has her own chaotic life to worry about. She has two lovely, nearly grown daughters whom she adores. She has a complicated relationship with her ex-husband, whom she never technically divorced and who spends most of his time at her house. And she’s sleeping with several people who are either on Edi’s care team or in Edi’s family, which leads to some awkward situations. Ash makes for a unique and easy-to-love narrator, one who jokes about her own self-centeredness even as she devotes her time to helping her best friend. Newman is frank about the physical reality of cancer and explicitly shows how grueling it can be to care for a friend while watching them die—there are falls and tears, leaking tubes that soak Edi in bile, and gradual changes to Edi’s appearance and mental state as the end draws nearer. As Ash says, “It’s monstrous. It is too much to take. Why do we even do this—love anybody? Our dumb animal hearts.” But Newman is also open and honest about how joy can commingle with grief and how happiness and gratitude can coexist with sorrow: “Life is just seesawing between the gorgeous and the menacing—like when you go for a run and one minute the whole neighborhood is lilacs in purple bloom, and then the next it’s stained boxer shorts and an inside-out latex glove.” Newman perfectly captures the beauty and burden of caring for someone in their final moments while showing the gift of Edi and Ash’s once-in-a-lifetime friendship.
A warm and remarkably funny book about death and caregiving that will make readers laugh through their tears.Pub Date: Nov. 8, 2022
ISBN: 978-0-06-323-089-7
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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