by Matthias Arégui ; Anne-Margot Ramstein ‧ RELEASE DATE: Oct. 14, 2014
Peaceful, sometimes mildly humorous art provides gentle nudging toward a philosophical frame of mind.
This harmonious album of clean-lined, very simple images in before-and-after pairs or short sequences practically compels viewers to ruminate about changes and seasons.
The book is entirely wordless, with just a few snatches of visual narrative in the form of multispread vignettes. Mirrored sun-moon pairs appear at the beginning and end, and a caterpillar seen chewing up a leaf on one spread flies off as a butterfly on the next, for instance. But this book is about many transformations, not just a few. In dozens of large, softly hued pictures of rolling landscapes or single trees, animals or manufactured objects against monochromatic backgrounds, the creators depict the passage of time. They do this through natural seasonal changes, with significant pairings like a rocking horse with a similarly curvilinear rocking chair or, taking a broader perspective, with opposing views of an urban skyline under construction and then finished. There are also allusive references, such as a pumpkin with a carriage. Human figures are rare—tiny when they do appear. Younger children will enjoy the mild challenge of figuring out the connections between, for instance, a slingshot and a broken window, a homing pigeon and an airmail envelope, a woolly sheep and (several steps and a knitted winter hat later) wood smoke drifting from a chimney in the snow.
Peaceful, sometimes mildly humorous art provides gentle nudging toward a philosophical frame of mind. (Picture book. 4-8)Pub Date: Oct. 14, 2014
ISBN: 978-0-7636-7621-6
Page Count: 172
Publisher: Candlewick
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Anne-Margot Ramstein & Matthias Arégui ; illustrated by Anne-Margot Ramstein & Matthias Arégui
by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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by Susan Verde ; illustrated by Peter H. Reynolds
BOOK REVIEW
by Susan Verde ; illustrated by Juliana Perdomo
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
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