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The Sword and The Butterfly

A fantastical graphic novel with superlative artwork and inventive plot devices that’s somewhat marred by inadequate...

Awards & Accolades

Our Verdict

  • Our Verdict
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Writer Wolf (Unbeatable: Hotter than Hell, 2010, etc.), debut illustrator Jimenez, and debut colorist Cabellé ingeniously combine Arthurian legend and epic space opera in a new graphic novel.

Young Cat is sent to an orphanage after her father inexplicably attempts to drown her. Thereafter, her story doesn’t get much happier, as her fellow orphans mercilessly bully her. She eventually snaps and pummels the other children, exhibiting innate fighting prowess while doing so. Enter the wizard Merlin, who snatches her away from the orphanage in order to train her with the Protectors of the Sword, a warrior guild devoted to keeping Excalibur safe after the death of King Arthur. Cat eventually proves herself as Excalibur’s Keeper, destined to wield the weapon until the emergence of the rightful king. However, when she claims the weapon, it upsets a demonic underground being who sends his minions to stop her. The story goes on to turn tropes of the Arthurian legend on their heads in plot twists involving spacecraft, mecha-suited warriors, and the lost city of Atlantis. Cat is aided by Heinz, her only friend from the orphanage, who grows from a pudgy, scrappy child into a brawny love interest. What could have been a random hodgepodge of genre tropes instead becomes a unique alternative history of Excalibur. However, Wolf doesn’t sketch Cat’s psyche beyond her sadness and her outsized fighting abilities, which results in some disorienting character beats: she slaughters most of the men she grew up with on Merlin’s command, for example, yet experiences no apparent emotional fallout. The author spends a little more time on Heinz, who charmingly spends the entire book wearing a flowered purple hat—a gift from his dead father. Generally, though, characterization takes a back seat to plot movement and extended battle sequences. Jimenez and Cabellé produce some gorgeous, dynamic pages; high points include a scene involving monsters interrupting a farmer’s peaceful morning and a clever “training montage” of Cat fighting across multiple panels, each set in a different season. The book’s high-quality, glossy paper allows Cabellé’s broad color spectrum to shine.

A fantastical graphic novel with superlative artwork and inventive plot devices that’s somewhat marred by inadequate characterization.

Pub Date: July 31, 2014

ISBN: 978-0-9798689-2-4

Page Count: 206

Publisher: Razor Wolf Entertainment

Review Posted Online: June 21, 2016

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CUTTING FOR STONE

A bold but flawed debut novel.

There’s a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994).

The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. “Where but in medicine,” he asks, “might our conjoined, matricidal, patrifugal, twisted fate be explained?” The question is key, revealing Verghese’s intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operations—a bowel obstruction here, a vasectomy there—overwhelm the narrative. Characterization suffers. The boys’ Ethiopian identity goes unexplored. Shiva is an enigma, though it’s no surprise he’ll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them.

A bold but flawed debut novel.

Pub Date: Feb. 6, 2009

ISBN: 978-0-375-41449-7

Page Count: 560

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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