A little short on resounding depth but, still, a promising debut.
Part erotic exposé, part portrait of a dead-end life, Gibbon’s slim first novel maintains a striking balance between the sacred and the profane.
Evangeline, a senior in high school, has little to look forward to but the sexual encounters she shares with her boyfriend, Del (and her best friends, June and Ray, who occupy either the front or back seat of the car). Told in explicit detail, Vangie and Del's relationship, sexual as well as romantic, serves as the paradigm for life in their small Pennsylvania town—violent, claustrophobic, and desperate. When graduation arrives, the two couples indirectly part ways: Vangie and Del rent a small house together, and June and Ray move in with Ray's older brother, Luke. Working at a chicken ranch, waitressing at a roughneck restaurant, picking fruit—backbreaking labor—at an orchard: Vangie's jobs offer a searing portrait of the bleak nature of manual labor, where her only respite is an evening of sex and getting high before the next day of work begins. Her public life, however, serves only as a minor chord. It is Vangie and Del’s private relationship that provides the storyline as love and violence grow between the two. Often drunk, Del urges Vangie to sexual extremes, which both satisfies her and assuages her shame at having slept with Del's brother and then June's brother. Into her own guilty entanglements comes June's revelation that she is not only sleeping with Ray but also with Luke, the outcome of which provides a brutal and poignant conclusion. Bleak and graphic in its realism, Swimming succeeds in keeping the reader’s attention (though this may have more to do with voyeuristic titillation than any true momentum built), providing, if not enjoyment, at least interest in the lives depicted.
A little short on resounding depth but, still, a promising debut.Pub Date: May 3, 2000
ISBN: 0-316-30599-5
Page Count: 224
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2000
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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