The result isn’t much of a mystery, but a stroll down Memory Lane with homicide obbligato.
In a salute to Dennis Wheatley’s crime dossiers of the 1930s, Johnson and Cooper present a collage of evidential materials designed to elucidate, after first seriously obscuring, the perpetrator of an impossible crime.
Hours after six people are summoned on 27 November 1933 by threatening anonymous letters to 19 Tootley Row, the Mayfair house of “artist and sometimes poet” Ambrose Belvoir, another letter urges a neighboring tailor to summon the police immediately to a murder scene. That’s quite a surprise to Belvoir and his guests, who suddenly realize that one of their number, American novelist Roy Peterson, hasn’t just dropped off to sleep; he’s been stabbed to death by an icepick. But every one of the remaining guests—actress Vita Simpson, naturalist Lord Alfred Chomley, race car driver Felix Darlington, telephone operator Mabel Hickney, and cook Cloris Adder—swears that they didn’t approach the famously antisocial Peterson and that they didn’t see anyone else approach him, either. If no one laid a hand on him, how did he meet his end, and why? The novelty here is that instead of unfolding their whodunit in straightforward prose, the authors present a scrapbook of floor plans, black-and-red drawings of the crime scene and the suspects, newspaper clippings, transcripts of interviews with DCI Harold Jensen, and a climactic confession that makes the impossible murder look so easy that readers who haven’t figured it out already are likely to feel cheated. The forgettable characters are little more than cartoon types, but that’s entirely appropriate to their mode of presentation. A more serious criticism is that all those pictures contain remarkably few clues.
The result isn’t much of a mystery, but a stroll down Memory Lane with homicide obbligato.Pub Date: Sept. 16, 2025
ISBN: 9780593836019
Page Count: 128
Publisher: Ten Speed Press
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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