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MY POETS

A perceptive reflection on the reading and writing life by a poet who has embraced her own personal anxiety of influence.

An acclaimed poet considers the predecessors who shaped her art and life in this idiosyncratic mix of literary survey and intellectual biography.

Using her skills as a poet and critic, McLane (English/New York Univ.; World Enough: Poems, 2010, etc.) examines the major poets of her life and the inspiration and technique she drew from each. There’s Elizabeth Bishop, “a sea to breathe in once the gills you needed grew and breathing grew less strange.” From William Carlos Williams she learned to draw from her own pure and crazy American experience. She dissects Marianne Moore’s poem “Marriage” at length, weighing it against her own failed marriage and subsequent same-sex relationship. She identifies with H.D. (Hilda Doolittle), the closeted lesbian, and finds that her poem “Oread” “bespeaks our desire to commune, to hear and be heard, to make the chaos of inner feeling not only sentient but sharable.” McLane responds to Louise Glück’s powerful willfulness and finds that Fanny Howe’s poems reveal “a refusal to turn away even as they seek asylum…to participate in the sick fictions of success or easy safety.” Percy Bysshe Shelley is the muse of the author’s sexual radicalism; she loves his youth, excess and intelligence. “To immerse yourself in him is to move through an extraordinary medium of thinking songs, sung thoughts,” she writes. McLane’s book is a gutsy poetic act on its own, as she writes measured, metrical prose that alters between rhythmic and affected, dropping commas or shifting perspective at will, as if in mimicry of her subjects.

A perceptive reflection on the reading and writing life by a poet who has embraced her own personal anxiety of influence.

Pub Date: June 26, 2012

ISBN: 978-0-374-21749-5

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: March 17, 2012

Kirkus Reviews Issue: April 1, 2012

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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