Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?
An enslaved Black girl in antebellum New Orleans joins a female spy network against the Confederates.
The impulse toward freedom is ingrained in Ady, born in slavery to her mother Sanite, who spent part of her own childhood in a runaways’ settlement. When Ady is 10, she and her mother are sold to the vulpine John du Marche, who’s living his best 1850s life as a decadent businessman and political insider in the French Quarter. Sanite provides her daughter with a taste of freedom as they escape from du Marche, making camp in the outlying woods. It isn’t long before they’re returned to their master and Sanite dies from scarlet fever. Ady’s customary high spirits are laid low by grief, melancholy, and fear until she becomes friends with another African American she at first knows only as “the Free Woman.” Lenore owns a racially integrated establishment in the French Quarter called the Mockingbird Inn, with “the strong pleasant scent” of “lemons, sawdust, cloves, beer, and warm bread.” Inspired by seeing Lenore compel a gang of slave hunters to leave the Mockingbird, Ady seeks employment there as a helper on those occasions when she can get away from du Marche’s manse. She soon learns that Lenore and other women are working as a far-flung spy network to subvert the emerging Confederacy. Ady later finds out that the network has a name: “the Daughters.” (“In honor of our mothers,” Lenore tells her.) As Ady and the other “Daughters” covertly wreak havoc in various ways, the novel becomes all at once a high adventure, a revealing history, and a chronicle of one woman’s self-realization. Ruffin also displays some of the cunning imagination and caustic wit he showed in his previous work—most recently We Cast a Shadow (2019)—by interspersing his narrative with imagined transcripts from the past, present, and even the future.
Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?Pub Date: Feb. 27, 2024
ISBN: 9780593729397
Page Count: 304
Publisher: One World/Random House
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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