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THE AMERICAN DAUGHTERS

Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?

An enslaved Black girl in antebellum New Orleans joins a female spy network against the Confederates.

The impulse toward freedom is ingrained in Ady, born in slavery to her mother Sanite, who spent part of her own childhood in a runaways’ settlement. When Ady is 10, she and her mother are sold to the vulpine John du Marche, who’s living his best 1850s life as a decadent businessman and political insider in the French Quarter. Sanite provides her daughter with a taste of freedom as they escape from du Marche, making camp in the outlying woods. It isn’t long before they’re returned to their master and Sanite dies from scarlet fever. Ady’s customary high spirits are laid low by grief, melancholy, and fear until she becomes friends with another African American she at first knows only as “the Free Woman.” Lenore owns a racially integrated establishment in the French Quarter called the Mockingbird Inn, with “the strong pleasant scent” of “lemons, sawdust, cloves, beer, and warm bread.” Inspired by seeing Lenore compel a gang of slave hunters to leave the Mockingbird, Ady seeks employment there as a helper on those occasions when she can get away from du Marche’s manse. She soon learns that Lenore and other women are working as a far-flung spy network to subvert the emerging Confederacy. Ady later finds out that the network has a name: “the Daughters.” (“In honor of our mothers,” Lenore tells her.) As Ady and the other “Daughters” covertly wreak havoc in various ways, the novel becomes all at once a high adventure, a revealing history, and a chronicle of one woman’s self-realization. Ruffin also displays some of the cunning imagination and caustic wit he showed in his previous work—most recently We Cast a Shadow (2019)—by interspersing his narrative with imagined transcripts from the past, present, and even the future.

Black women as agents—literally—of their own liberation. Who wouldn’t be inspired?

Pub Date: Feb. 27, 2024

ISBN: 9780593729397

Page Count: 304

Publisher: One World/Random House

Review Posted Online: Dec. 6, 2023

Kirkus Reviews Issue: Jan. 1, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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